Reblogged lesbianmarrow
gay hetjoshi for equality! let my hetties marry
↑ saying this about a couple that marries in canon
Reblogged cadhla182
May his memory be a blessing.
Willem Arondéus (22 August 1894 – 1 July 1943) was a Dutch artist and author who joined the Dutch anti-Nazi resistance movement during World War II. He participated in the bombing of the Amsterdam public records office to hinder the Nazi German effort to identify Dutch Jews and others wanted by the Gestapo. Arondéus was caught and executed soon after his arrest. Yad Vashem recognized Arondéus as Righteous Among the Nations.
Their attack, which took place on 27 March 1943, was partially successful, and they managed to destroy 800,000 identity cards, and retrieve 600 blank cards and 50,000 guilders. The building was blown up and no one was caught on the night of the attack. However, due to an unknown betrayer, Arondéus was arrested on 1 April 1943. Arondéus refused to give up the rest of his team.
Arondéus was openly gay before the war and defiantly asserted his sexuality before his execution. His final words were:
"Tell the people that homosexuals are not by definition weak."
From Wikipedia
He was also a pretty great artist
Reblog to include his artwork!
May his memory be a blessing
Reblogged hookshot18
today we are going to learn about horses
horse fact 1: horses are partially exoskeletal
horse fact 2: horses are partially trees
horse fact 3: got frogs in em
these are all the facts we have about horses.
OP that's not even a full horse. You've literally only looked at the feet.
maybe one day we will be brave enough to lift our eyes and look, trembling, at the rest of the horse. not today, though. today, these are all the facts we have about horses.
Reblogged hookshot18
Being an evil doppelganger has to be so fucked up like imagine meeting a better version of yourself. Some chain of events going differently that led to "you" being a better person in a way you can never achieve. Personally I'd have no other option but to try and kill them
It's always "oh no my evil clone or twin or whatever is trying to kill me" and never How is my evil clone? Says a lot about society
Me, crashing the fuck out: you think you're better than me? You think you're fucking better than me???
My good clone, dodging a glass: I mean like objectively yeah
Reblogged evilwizard
People often say LOTR is a story about hope. (I'm reminded of it because someone said it in the notes of my Faramir post.) And that's true, but it's not the whole picture: LOTR is in large part a story about having to go on in the absence of hope.
Frodo has lost hope, as well as the ability to access any positive emotion, by Return. He is already losing it in Towers: he keeps going through duty and determination and of course Sam's constant help.
For most of the story, Sam is fueled by hope, which is why it's such a huge moment when he finally lets go of the hope of surviving and returning home, and focuses on making it to the Mountain. To speed their way and lighten the load, he throws his beloved pots and pans into a pit, accepting that he will never cook, or eat, again.
When Eowyn kills the Witch King, she's beyond hope and seeking for a glorious death in battle. It's possible that in addition to her love and loyalty for Théoden, she's strengthened by her hopelessness, the fear of the Nazgúl cannot touch someone who's already past despair.
Faramir is his father's son, he doesn't have any more hope of Gondor's victory or survival than Denethor does, he says as much to Frodo. What hope have we? It is long since we had any hope. ... We are a failing people, a springless autumn. He knows he's fighting a losing war and it's killing him. When he rejects the ring, he doesn't do it in the hope that his people can survive without it, he has good reason to believe they cannot. He acts correctly in the absence of hope.
Of course LOTR has a (mostly) happy ending, all the unlikely hopes come true, the characters who have lost hope gain what they didn't even hope for, and everyone is rewarded for their bravery and goodness, so on some level the message is that hope was justified. But the book never chastises characters who lost hope, it was completely reasonable of them to do so. Despair pushed Théoden and Denethor into inaction, pushed Saruman into collaboration, but the characters who despaired and held up under the weight of despair are Tolkien's real heroes.
(In an early draft of Return, Frodo and Sam receive honorary titles in Noldorin: Endurance beyond Hope and Hope Unquenchable, respectively. Then he cut it, probably because it was stating the themes of the entire book way too obviously, because this is what Tolkien cared about, really: enduring beyond hope. Without hope.)
Also, people who know more than me about the concept of estel, feel free to @ me.
I agree with everything in the above post, and think that the knife's edge balance between despair and hope in LOTR is a really important theme when you see the characters that fall into despair and the ones that don't, and the ones that despair but don't fall.
But the thing about estel is that it's not the only elvish word for hope. There's amdir, which is hope with a foundation, it's based on something. Estel is hope without that foundation, based on nothing at all--a fool's hope, if you will. It's what drives the entire Quest, because sending the Ring to Mt Doom is objectively insane and there is no reason to believe that it'll work beyond like, Elrond saying so (and if anyone is familiar with estel, it's Elrond). But it does work, because everyone in the Fellowship comes together to make sure that it will, because they're clinging to that estel with their last fingernails and they aren't letting go. Even if they give up hope for themselves or for their homes for for their loved ones.
Anyway all that to say I just wanted to highlight this passage from ROTK:
Far above the Ephel Dúath in the West the night-sky was still dim and pale. There, peeping among the cloud-wrack above a dark tor high up in the mountains, Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was only a small and passing thing: there was light and high beauty for ever beyond its reach. His song in the Tower had been defiance rather than hope; for then he was thinking of himself. Now, for a moment, his own fate, and even his master's, ceased to trouble him. He crawled back into the brambles and laid himself by Frodo's side, and putting away all fear he cast himself into a deep untroubled sleep.
That's the hope that people are talking about when they say LOTR is about hope, I think. It's a hope that's bigger than any single character, and it's so hard and at times impossible to keep holding on to, but in the end it wins out, in spite of everything.
Reblogged spicedtealeaves
the evidence seems pretty slim in supporting the idea that groping a tgirl’s boobs will make them grow faster, but honestly, you should probably be touching them regardless. please she wants this.
Reblogged hookshot18
evergreen
Reblogged
in early episodes of kjb i swear you referenced something called the mother problem in sci fi? do you happen have any additional sources or writing on it (bc i was about to reference it to a professor and then realized i didnt know enough about it to reference it correctly)
it’s from an old sci-fi writers’ guide of what not to do called the Turkey City Lexicon, and it’s called ‘the motherhood statement’:
The Motherhood Statement:
SF story which posits some profoundly unsettling threat to the human condition, explores the implications briefly, then hastily retreats to affirm the conventional social and humanistic pieties, ie apple pie and motherhood. Greg Egan once stated that the secret of truly effective SF was to deliberately “burn the motherhood statement.”
Reblogged sexygaywizard
i had a dream i worked in an underwater restaurant and people kept ordering ice in their drinks and then getting mad at me when it would float away. and i’d tell them beforehand that the ice would float away & they’d be like lol no that’s not how it works just give me the ice. I’m fighting customer service battles never seen before
people have been saying squidward on this all day but this is the first one that made me laugh
Reblogged
What do you mean that Forgotten Realms is a romantic fantasy setting masquerading as high fantasy?
(With reference to this post there.)
Exactly what it says on the tin – the Forgotten Realms is clearly principally inspired by romantic fantasy, not high fantasy.
In this context, when I say "romantic fantasy", I'm referring to a specific, relatively short-lived genre of fantasy literature that was wildly popular in the 1980s and 1990s, but abruptly fell almost entirely off the map after about 1998, due to a variety of economic and cultural factors which are way too complicated to go into in a Tumblr post. This is distinct from the more contemporary usage of "romance novels with fantasy settings", though there's definitely a lot of overlap.
If you're looking for a romantic fantasy reading list, Mercedes Lackey's Valdemar series – especially the early stuff – is probably the easiest to get your hands on these days; it's practically the only example that still has any real name recognition in 2025, for all that Lackey was a latecomer to the genre. Other names worth checking out include Margaret Ball, Carole Nelson Douglas, Tanya Huff, Holly Lisle, Jennifer Roberson, and Elizabeth Ann Scarborough, off the top of my head, though not all of them worked exclusively within the genre.
(Elizabeth Moon is an interesting edge case, in that her stuff is principally military science fiction, but very much adheres to the forms of romantic fantasy. Her Deed of Paksenarrion trilogy, one of her few pure fantasy works, is a fun snapshot of an era because it was written explicitly in response to what Moon perceived as the shortcomings of the fantasy worldbuilding on display in then-contemporary Dungeons & Dragons settings, and hit the shelves at just about exactly the same time as the earliest Forgotten Realms material.)
Question, what exactly is the difference? Google just wants to show me Romantasy.
Well, the trick is that genres are creative conversations, not checklists of tropes, so the real answer to that question is "it's the type of fantasy that was being written by this specific group of popular fantasy authors, most of whom personally knew and frequently collaborated with each other, during this specific period of time".
That said, there are a few recurring features that can be identified. Not all of these will be present in every example of the genre, of course, and whether they add up to a distinct strand of fantasy or a subgenre of high fantasy or what-have-you is a debate I'd prefer to leave to those who have more time on their hands, but to hit some high points:
Reblogged ohheyitsjustjinx
fuckedmutt
honestly tumblr censoring the pfp of flagged accounts is wild. it’s like they’re putting a paper bag over ur head that just says ‘PERVERT’
Reblogged 2heartgirl
if psych (2006) was running today the harry potter episode would still happen but gus would purposefully mispronounce jk r*wling’s name every time he says it and shawn would introduce gus as “my associate, Trans Gender”
Reblogged bunniope
oon a chocolate rhubarb brownie recipe
Reblogged skarchomp
Reblogged ohheyitsjustjinx
who wants to go to italy with me and stuff their face with food and have sex on balconies?
Reblogged agatharights