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Not Quite Normal

@miss-nerd-alert

Bookworm, wannabe writer, cat lover, cooking enthusiast, movie buff, music junkie; a nerd, gamer, and fangirl
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teal-deer

I wish there was a magic skillet I could pick up that would make me literally impossible to fire from a job, no matter how weird or disagreeable people decided I am, where I could still work only part time & ideally with lots of breaks. Like sorry Ms Karen McWasp, I am a load bearing unit and the task will be done when it's done and there's jack shit you can do.

I know you probably meant "skillset" but I'm having so much fun imagining myself carrying the Skillet of Job Security around my office all the time.

I did but yeah the Skillet of Job Security is much more fun

Does a magic skillet cast Iron?

Any cast iron pan can be the Skillet of Job Security if you swing it hard enough.

Boss: You’re fired

Me:

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moustawott

Transformers One Official Novelization Worldbuilding and Lore Bits

Thanks to the Transformers One movie novelization, here are some worldbuilding facts that weren’t explicitly shown in the movie!

About Iacon city:

  • Cog-less bots can only work as miners, though the tier system (described later) suggests that they can move up or down a ladder of limited job options
  • All cog-less bots were born after the disappearance of the Matrix of Leadership
  • No cog-less bot has seen the surface

I mean, Orion’s reason for not wanting to kill Sentinel was pretty clear in the movie: “Rebuilding Iacon cannot begin with an execution.”

The lie they’ve been living their whole lives was built on the deaths of the Primes. Orion doesn’t want to continue that precedent by rebuilding on Sentinel’s death. Does Sentinel deserve to live? Probably not, but Orion is trying to be better, and that means doing better, even by your enemies. That’s why he banishes Megatron after defeating him, because he’s trying to do better. We the audience know that’s going to cause more problems later, but Optimus doesn’t. He just knows D-16 was his friend, and he wants to make Cybertron better for all of them.

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I miss Overwatch.

It’s been two years now since I last engaged with the game, and I find myself missing its world and its characters. I’m not about to start playing again, but I miss the excitement of being in the fandom.

The animated shorts, the comics, new characters. Each little nugget of lore was met with so much eager excitement; we were all like little kids at Christmas, so ready to see what gifts we’d been given this time. Even with the controversies and the toxicity, there was so much FUN to be had.

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feliciates

Never Forget what Steve Rogers was up against in his youth

I was just doing some nosing around on Wikipedia and found out that there was actually an International Eugenics Conference in NYC when Steve Rogers was 14 (MCU timeline) years old.  He would have already heard a lot about how he was considered unfit and unworthy of life by the Eugenics movement popular at that time.  But how much worse would that have been? 

If you think he wasn’t fully aware of the bullshit they were spouting daily, you’re dead wrong. He’d hear more than ever about how people like him should be forcibly sterilized and were nothing more than a burden on society. 14 is such an impressionable age.  I don’t know how he wasn’t ground down by that.  It shows what inner strength and determination that sickly young man had.

So goddamn right Steve Rogers knows what it’s like to be bullied by an entire social movement and how wrong the “Prevailing Wisdom” can be and how you better stand up for what you believe or the next thing you know there are concentration camps and madman running entire countries.

No wonder he hates bullies…

I HATE how the films have totally glossed over everything that has happened to him, while grounding us down with Tony and his freaking Daddy issues. It says a hell of a lot about Steve inner strength that all he’s ever wanted to do is help other people and to stand for others so they don’t get treated like he did(even when he himself was still being treated that way). I mean he grew up hearing that he basically didn’t deserve to live, even if it wasn’t something that said to his face in quite such bald terms(though I’m sure it often was, kids can be very cruel and back then there really wasn’t any “bullying awareness”, it was basically survival of the fittest and adults rarely got involved), he’d have felt it all around him. He’s struggling to survive all while hearing he’d probably be better off dead, his mother would probably be better off if he was dead.  How this affected his relationship with girls - because apparently people like him shouldn’t be allowed to reproduce, having families, are kind of less than human. Remember the young woman who was his “blind date” sneering at him like he was some bug beneath her shoe when he offered her some peanuts? But hey why address the actual issues Steve faced in the films, the issues which shaped him because he lived it, his whole life.  

(Also looking at the link both the 1921(when Steve was 3) and the 1932(when Steve was 14)  International Eugenics Conferences took place in NYC, so yeah it was around him his whole life)

“Remember the young woman who was his “blind date” sneering at him like he was some bug beneath her shoe when he offered her some peanuts?”

I sure do. I think she was meant to stand in for about 99% of the people Steve came into daily contact with at that point in his life.

And it is kind of “funny” how none of the movies since CA:TFA have even touched on the trauma of Steve’s early life.

And by funny I mean tragic, fraudulent, and bewildering.

And let’s not forget: these ideas weren’t fringe ideas at all. A good many educated scientists believed whole-heartedly in eugenics—including, most likely, the doctors Steve Rogers would have seen as a patient. Sarah Rogers must have been such a lioness to protect him and keep him alive as long as she did.

Something to think about here: in the 1920s, women on public aid and children receiving treatment in public hospitals were potentially subject to deportation years after immigration. So depending on how long Sarah Rogers had been in the US, she would have had reason to be worried beyond just pride and work ethic about keeping herself and her son out of the system. And in the pre-antibiotic era, children would have been strongly discouraged from touching or associating with children who were visibly ill - things like diptheria, scarlet fever, measles, and rubella had up to a 20 percent fatality rate, and that’s leaving out other health complications (Steve’s pre-serum complaint list is extremely suggestive of having survived a very bad scarlet fever episode; it could also have been tubercular in nature since he would have been exposed by caring for his mother.) Steve’s mother’s profession could have made her valuable in her community - or a pariah, if the neighbors were worried about her bringing infection home from the TB ward. 

Yes, with the attitude towards sickness and “unfitness” in that era, it’s safe to say that Steve Rogers grew up lonely and almost entirely friendless.  No wonder Bucky means the world to him!

As much as this is all making me wibbly about Steve, I’m finding it harder and harder to not get really pissed that a bigger deal wasn’t made of Sarah Rogers in the MCU. What the hell, she has to have been an amazingly strong woman and such a hugely positive influence. She sacrificed so much and worked so damn hard in a society biased against her, all while teaching her only child important values and shaping him into the incredible person he grew up to be. She and Steve must have been so close, even with how busy she was. What an incredible, devoted parent. Why has the MCU barely even mentioned her?

Good fucking question.

It is an absolute disgrace that after 2 Captain America movies plus that fake one and 2 Avengers movies, we’ve never had a single scene with her in it.  We’ve never even gotten to hear Steve TALK about his mother when she had to be the biggest influence he ever had.

That’s the incontrovertible proof that CA:CW was not a Captain America movie.  It featured Tony’s mother but not Steve’s.

It should also be mentioned that the eugenics mindset was so widespread at the time that premature babies typically weren’t considered worthy of life. In fact, the only means of survival preemies had in NYC at the time was a sideshow attraction at Coney Island (the same Coney Island Steve mentions going to with Bucky).

The Infantorium was a facility run by Dr. Martin Couney, an obstetrician and early pioneer of neonatal care. The facility charged guests 25 cents to view preemie babies in specially designed incubators, and Dr Couney encouraged the nurses caring for the babies to take them out and cuddle them in front of audiences. Dr Couney didn’t charge parents for their child’s care, since the entry fee from guests covered the expense, allowed the nurses to be payed a decent wage, and enabled the exhibit to travel across the country. Dr Couney took the exhibit on tour to try and change public perception of premature birth, and tried to donate his incubators to local hospitals when a fairground closed, but none were interested. Medical journals at the time condemned his efforts, saying the preemies would pass on their “deficiencies, deformities, and vices” to the next generation. The Coney Island exhibit was open from 1903 to around 1943, and incubators wouldn’t become common in hospital maternity wards until after Dr. Couney’s death in 1950.

There’s no evidence that Steve Rogers was born prematurely, but there’s also no evidence that he wasn’t, and quite frankly it’d be just another in a very long line of hard-knocks if he had been. All this to say: assuming Steve Rogers was born prematurely, his only means of survival would’ve been as a sideshow attraction, and his feeling like a dancing monkey could very well have been with him FROM BIRTH.

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The core of most religious misunderstandings I've witnessed with irreligious people is that they fundamentally misunderstand what religion is to religious people. It's not simply a matter of choosing what worldview most appeals to you or matches your own opinions. This is how you fundamentally believe the world already works, and living accordingly. It's not selecting from an array of possibilities with varying appeal, but aligning yourself with truth. You may not always like that truth, but that doesn't mean you get to throw it out or pick something else - you do the changing to match religious reality, not the other way around. I'm coming at this from a Christian experience, obviously, but this is true of any religion that claims objective, exclusive truth. "Why would you choose to follow a God who—" Because I didn't choose this God; this God, the only true one who exists, chose me; and I best get my priorities and values in order with his, because this world is here by his creative whim. He alone defines truth; he is truth.

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riana-one

I've seen all your posts about Dragon Age and I'm kinda hooked. I tried to check it out and apparently there is a number of movies and series? Can you recommend in which order one should start watching ?

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My honest answer would be watch lore videos, companion banter and the romance whole routes because so much of the other media is content complex and dependent.

You can enjoy the other media without it (the Netflix anime was great) but you lose a lot of the details otherwise.

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Ghil Dirthalen over on YouTube has excellent videos on pretty much everything Dragon Age, I can’t recommend her channel enough if you’re looking for lore.

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skinks

Tell me some of your favourite monologues/speeches from movies…. I need it for a thing

Some of my favourites are:

  • Pacino’s 8 minute courtroom diatribe in And Justice for All
  • Annie at the dinner table in Hereditary
  • Quint’s Indianapolis story in Jaws
  • Jack Twist’s “real good life” scene in Brokeback Mountain
  • Nicole Kidman going off the shits in The Northman
  • Jimmy Stewart’s defiance of Mr Potter in It’s A Wonderful Life
  • Jimmy Stewart’s defiance of the senate in Mr Smith Goes to Washington
  • Grant Mazzy’s opening speech over the titles in Pontypool
  • Jeremiah Sand’s unblinking shapeshifting face in Mandy
  • Madeline Kahn on the hill in Paper Moon
  • All the things Kevin Costner believes in Bull Durham
  • I’m mad as hell and I’m not gonna take this any more!!! from Network
  • Anne’s prophetic speech to Henry in Anne of the Thousand Days. All of it’s iconic, but not a day goes by that I don’t think of “Look for the rest of your life at every man that ever knew me and wonder if I didn’t find him a better man than you!”
  • Representative Stevens’ final speech in Lincoln. Finding a way to advocate for his beliefs while still saying what needs to be said to get the amendment to pass…it’s one of my favorite scenes in the whole movie.
  • Also from Lincoln is President Lincoln’s use of mathematics to explain the reasoning behind racial equality to the telegraph operators. Confronted with a choice, daring to take the risk on the amendment even with an immediate peace offer on the table, knowing it could all blow up in his face. It’s my favorite movie for a reason.
  • Ego’s review from Ratatouille. A perfect summary of the movie’s core message, coming from what would otherwise have appeared to be a rather two-dimensional character.
  • Batman’s eulogy at the end of Batman vs Superman: Dawn of Justice. Anyone who thinks this movie is nothing but grimdark edginess did not watch this scene. It’s so heartbreakingly optimistic, and a perfect ending for Batman’s character arc in this film.
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Mr. Smith Goes to Washington: Characters, Tropes and Subversions

As good as the script for Mr. Smith Goes to Washington is, as clever as the dialogue, as stirring as the story, and as well-balanced a film as it is, it would hold little weight to an audience without the use of a film’s most important tools: good characters.

If a story is the spine of a film, characters are the muscles: without them, the whole machine can’t really move.  As brilliantly put together as a movie can be, to the average moviegoer, it doesn’t hold a lot of weight unless they care about the people that the story is happening to.  

Woe to the filmmakers who craft a film, only for an audience to have a reaction consisting of the eight deadly words:

“I don’t care what happens to these people.”

Thankfully, Mr. Smith avoids that.

This is one of my dad’s all time favorite movies. It’s not my favorite Capra film (that honor goes to It’s A Wonderful Life), but it’s so genuinely wonderful and I love it.

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angelsaxis

not to harp on the sequel trilogy again but part of the reason why it sucks is that there’s no recognition in it at all. There’s no familiarity, nothing to tie it into the greater star wars universe that tells us that Rey’s story and Anakin and Luke’s story are all in the same galaxy. I’m not talking about parallels or easter eggs or callbacks, I mean the literal design of the last three movies. All of the technology is unfamiliar–not a single droid (or at least very few) are either a) ones that we’ve seen before, or b) ones that look like ones that we’ve seen before. All of the droids fall into the trap of appearing like typical sci-fi robots with no quirkiness to them. 

The aliens are the same. There is nothing about the new alien designs that even remotely appears like one we would have seen in the PT or the OT. Where are the Twi’leks? The Rodians? Ithorians or weequays? OT and PT aliens were so iconic specifically because of how colorful and simple/unique their designs are–but we look at TFA, TLJ, and TROS and we have brown fleshy aliens that can’t be told apart from the myriad other peachy/yellow/brown flesh aliens. it’s like that running joke in Star Trek circles that they just glue a bunch of weird stuff to an actor’s face to make a new alien. That’s what the sequel trilogy did. It’s about Star Wars but not really in it, and one of the first ways you realize this is with the design.

I’ve said it before, but the sequel trilogy feels more like a Star Wars knock-off than a sequel. Even when they’re trying to copy the other movies, they’re just off enough as to be unrecognizable as the same universe.

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leepacey

I say, jolly good show, chaps. And did I panic? I think not.

Jonathan, like Phryne Fisher, clearly hasn’t taken anything seriously since 1918.

And, I would suspect, for similar reasons.

^^^This. Jonathan being in World War I makes total sense. It’s almost impossible for him not to have been. Given his age and background, he probably volunteered in 1914.  

Of course he’s going to not take anything seriously. Of course he can shoot. The drinking, the skittishness, the recklessness, the sense of ‘keeping your head down’, the scepticism about traditional heroism….

The one with more actual experience of death, carnage and fighting is Jonathan. Not Rick. Not Ardeth Bey. Jonathan.

When Rick says ‘I’ve had worse (situation/odds)’ and Jonathan replies “ Me too”. That’s probably true

Drop The Mummy into the real world context and that’s a character who’s going to have seen a lot of his school friends die, along with the myths and tales of heroism they were raised on. Sort of makes the line where Evie’s scolding him for drinking/messing about a lot darker…

Evie: Have you no respect for the dead? Jonathan: Of course I do, but sometimes I’d rather like to join them.

I HAVE SO MANY FEELINGS RIGHT NOW

*record scratch*

Wait a minute. Why is it being assumed that Rick and Ardeth wouldn’t have fought in WWI, as well? Johnathan isn’t that much older than any of them–in fact, there is a good chance that he, Rick, and Ardeth are all of an age. Just because Johnathan’s hair is thinning doesn’t mean he’s a decade older.

It was a LOT easier to lie about your age back in the day. So much easier.

Johnathan is the soldier who fought in WWI and became disillusionsed with pretty much everything except wanting to live (most of the time) and live well–and where is the shame in that? He would have seen some of the darkest shit humanity has to offer, and he kept going. And the thing is, though, archaeological digs at that time were DANGEROUS. Not from curses (usually) but from assholes who would turn up with guns to try and steal anything you discovered. Johnathan never really STOPPED having to deal with dangerous pricks, it was just less dangerous than death raining down from the sky in bomb, bullet, and mustard gas form all the time.

Rick grew up in Egypt as an orphan. What paperwork? He joined the French Foreign Legion, which fought in World War I in some seriously critical battles on the Western Front in Europe. Rick is the soldier who quickly grew disillusioned with everything, but he didn’t know how to stop being a soldier. Johnathan had a career and schooling to fall back on. Rick had guns, the talent of not dying easily, and not much else. When the army finally left him behind because he was literally the only survivor of his last FFL battle, he literally didn’t know what to do. At all. “Looking for a good time” was code for “Please someone give me a fucking purpose.”

Ardeth grew up in the desert. He probably never enlisted…but if you think his people didn’t fight against invading forces during WWI, think again: that region of North Africa was swarming with soldiers on both sides, and they alll tried to claim everything they stumbled over even while in the midst of fighting each other. Ardeth spent his entire life fighting to protect what belonged to him, what belonged to his people, and trying to keep assholes from stealing things that didn’t belong to anyone (for good reason). By the time the war was over, Ardeth was disillisioned in everyone except his own people, and seriously fucking done with stupid idiots who stole in the name of archaeology. He is completely (justifiably) resigned to the worst when Rick the Magic Survivalist returns to Hamunaptra.

This has been another episode of “Actual History adding context and depth to character behavior”

I love when “The Mummy” fandom comes out to play. But it’s even better when the history side of tumblr is also in “The Mummy” fandom.

Every time this post comes around I am compelled to watch The Mummy again.

There is an explicitly nihilistic ‘old soldier’ in the movie too, just to drive home the point.

Winston: “Is it dangerous?”

Rick: “Well, you probably won’t live through it.”

Winston: “By Jove, do you think so?”

@steficek-knedlicek here’s some unnecessary facts and now I’m tempted to watch The Mummy again

The comedic nature of The Mummy misleads people into thinking it’s just a jokey movie but it’s got a lot of stuff in it that hits Hard when you pay attention. This is set post First World War. It’s set in a country that has finally began to kick British rule (although, as usual, the British still occupied Egypt) in 1922. It’s set in 1926, so that freedom is brand new and makes everything very charged politically. 

Jonathan is a rich kid who was raised on stories of heroes and the honour of war, shoved knee-deep into the trenches and learned first-hand that his teachers were liars, the stories untrue, and that the honour of war was for the generals not the soldiers in the trenches being taken out by mortar and mustard gas. 

Rick wasn’t raised like Jonathan and knew there were no heroes to start with. No grand stories to share and believe in the wonder of war. Life is a constant battle and if you don’t keep fighting, then you die. So he joined the French Foreign Legion and he kept damned fighting. 

Ardeth is the outlier in that his entire culture differs to Rick and Jonathan’s. He’s an outsider to the world that places Rick and Jonathan as above him because of their skin colour, their nationality, whatever. Ardeth knows that heroes aren’t always easy to find but they’re out there. They just happen to be people who don’t give up, who fight and fight, and do what’s Right even if it means their death. Ardeth and his people saw war and it’s impossible to not be drawn into it somehow, either as victims or allies to one side or the other. He learnt that war has a cost and that the growing industrialisation of the West made that cost So Much Higher. Swords aren’t the primary weapon now, you don’t fight your opponent up close. Now war is distant and bloody and the crack crack crack of broken silence.

None of them have lived easy lives, either from the beginning or through events greater than any of them. But The Mummy shows very damned well that you can cope with what you see, what your experience.

You either try and pretend it didn’t happen, joke and laugh and hide how you really fear (Jonathan). Or you keep going, surviving from day-to-day and fighting because that’s what you know keeps you alive (Rick). Or you put your damage aside and focus on what needs to be done for the Greater Good because you can’t give yourself the time to break because people need you now (Ardeth).

This movie shows the trauma of war and how little support was given post WWI to survivors because the idea of soldiers having trauma was a shameful, alien concept. Not when single rifles and swords, bows, and arrows, were the way of war, coping was known how to be done. But with machine guns, mortars, and gas designed to kill or drive you mad… how do you cope with that when you’ve never really been taught how to cope with weakness? How do you be vulnerable, admit it, and let yourself heal when you’ve never been taught how?

The Mummy makes it laughy and jokey and keeps it light, but there’s a very real thread of the Cost Of War woven throughout it. Intentionally or otherwise, it’s a damned good representation of the fact that the First World War was a war like no other that came before.

I think I’ve reblogged a version of this before but there’s been A LOT added since.

And then there’s Winston. Winston’s obviously one of those minor-gentry career military bachelors (possibly the younger son of a country squire) who’s likely spent his entire adult life in one part of the Empire or another. He was probably an early aviation enthusiast and was given command of an RFC squadron, which means he saw young men dying all around him. He probably sent them to their deaths.

I’ve shared this before, but it has several excellent additions now.

I love this movie and this fandom so much

Source: leepacey
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Did this guy think that they just starve piglets to death at factory farms, or what?

Yeah, no wonder people didn't "get your art is about animal rights". 'And now you care?' should be holding up a mirror to the goddamn artist and you'll evoke the same emotion without the unnecessary cruel and unusual punishment towards the very thing you're apparently trying to protect.

This is the kind of fellow who'd read the adaptation of the star thrower and argue people wouldn't understand unless we actually just killed the starfish in front of them.

The artist said it was to bring attention to the meat industry's problems, but his methods were disgusting.

It's like how that Netflix show, Cuties, sexualized REAL underage girls to make their point about girls being pressured into being sexual.

It's a bad way to get a message across.

He became the very thing he was trying to criticize

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whiskeywitch

I rewatched The Avengers today and I finally realized why Steve is such an ass. I can’t believe I never understood before. 

Steve literally crashed a plane into a glacier over the Tesseract. He lost his best friend and the opportunity to be with the love of his life over the Tesseract. Of course he’s pissed off and unwilling to help when Fury comes to bother him about the fucking Tesseract.  

This is the same fight he fought in during WWII. It’s the fight they told him he won when they defrosted him. Of course he’s mad. Probably betrayed and frustrated, too.  

I was always disappointed in The Avengers for depicting Steve this way and now I’m embarrassed because I never understood the reasoning behind it. I’ve seen the light.

Not only that, but at the time of The Avengers, Steve has been out of the ice for two weeks. He lost his best friend, the love of his life, everyone and everything he’s ever known two weeks ago. He fought Red Skull and saw the Tesseract vaporise him into thin air two weeks ago.

And then Fury interrupts Steve’s PTSD flashback at the gym to tell him S.H.I.E.L.D. found the Tesseract and promptly lost it to yet another villain bent on world destruction, and Steve is all Jesus F. Christ, I JUST did this!

And then, as if that wasn’t bad enough, Steve discovers that S.H.I.E.L.D. was using the Tesseract to build HYDRA weapons of mass destruction (because S.H.I.E.L.D. is HYDRA, shhh!).

It hasn’t been two weeks since Steve saw whole army battalions vaporised and smashed a plane into the Arctic Ocean to prevent the exact same weapons of mass destruction from reaching New York! And here they are again! In New York, in the hands of his supposed “allies,” who lied to him about their purpose for wanting the Tesseract back!

Steve doesn’t like bullies, he doesn’t care where they’re from. In The Avengers, he realises he’s working for the new bullies and doesn’t have a choice if he wants to save humanity. 

So yeah, Steve is pissed. He f–ing hates that f–ing Tesseract, and he’s 100000% done with it and with S.H.I.E.L.D. making all the same mistakes again. 

100000% done.

Thanks for these additional comments on my humble little observations! :) I never write meta, so this is awesome.

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