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A Complete Unknown 2024
Timothée Chalamet’s performance feels off, he sounds like he’s struggling to speak clearly, as if had a stroke. That fake accent is distracting, and his youthful appearance makes it hard to take him seriously in the role. Feel like a teenager adapt to puberty.
The script focuses heavily on Bob Dylan’s relationships with women and how rock music emerged from folk—or perhaps the script would like to show how rock destroyed it. But wasn’t rock supposed to take on the…
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Melancholia 2011
I don’t expect that it is totally no hope. Is it necessary to be so long to talk a story like this? Urge to escape but unfortunately I didn’t fall asleep as usual. I napped a bit when the star finally came closer. I like the first part of describing the desperation. For me the film is boring, no thoughts, out of depth.
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Walk Up 2022
This review may contain spoilers. I can handle the truth.
最喜欢里面无处不在、毫不掩饰的尴尬,看得我频频窃笑。
我觉得在表达“边界感”。1. 女设计师与多年未见友人相聚。男导演表达“好想去地下工作室看看”,东亚客套文化里一般会顺势说“好啊下去看看吧!”女主人没有,坚持上楼谈,守住自己边界,到楼上又随意通过密码进入租客空间,突破别人边界。
2. 友人临时要去开会留下互相不熟悉的成年女儿和女主人。说好离开半小时到一小时,一去不回,让两人等。女儿突然的自我~控诉男导演在家里不为人知的一面,讲述想向女主人学习的心声。打破自己边界,开放给女主人。女主人明显很尴尬,成年女儿借出去买酒逃跑。故事就停在这,没有下文。
3. 女主人,男导演,餐馆女店长,三人围桌对谈喝红酒。这次是女主人留下不熟悉的男女,去地下室拿威士忌,说了句“好累”。类似2. 场景,角色互换。女店长 突然的自我~平常对话至掩面哭泣。
4. 男导演和女店长成了一对,为健康吃沙律,饭桌控诉女主人涨租。饭桌上的对话,夹沙律的动作,都是边界感的推拉。随后女人去朋友婚礼,男人不想让她去。女人以退为进,看似态度柔和,实则坚定。女人外出过程,男人忍不住连番追问,女人刚好忘带手机。男人在入侵女人边界。
5. 新角色女人与男导演是一对,在露台吃饭。男导演表示喝烧酒才自在。对话中女人说得多,热情亲密无间的爱意,照顾男导演的健康买了人参罐头?并喂他吃。女人是妈妈型妻子。约定好一起去干嘛(忘了),妻子因工作无法前去,留下男导演怅然若失。此处应照 2 男导演的离开,4 女人的离开。妻子在入侵男导演边界但他乐意。
6. 男导演独自在家,女主人催命一样敲门,还责怪男导演改了密码让她无法自行进入。递过来是再次借看错名义私拆的信件。两人只在门口说话,女主人很想进门而男导演坚持在门口说完就行。跟1 所说东亚客套文化 角色互换。女主人在入侵男导演边界。
不熟的熟人之间韩式奉承对话,不承载意义,表达氛围语气。威士忌没有喝,红酒喝了几瓶,烧酒喝了几杯。酒价格由高到低排序是,威士忌,红酒,烧酒。价格越低越平民化,威士忌关系3 最疏离,烧酒关系 5 最亲密。从开头到结尾,越发亲密,一样的是”人群中的孤独“。
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Chronicle of Anna Magdalena Bach 1968
Concert live. No space between words, hard to understand. Music is beautiful. Me was surprisingly sober cause I always so easy to fall asleep.
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