Infotainment

Researchers have long questioned how debunked myths such as the blood libel – the notion that Jews used Christian blood in their ceremonies – were able to persist for so long. This essay explains the social function of such myths in one context by presenting a public debate on Judaism carried out in the pages of the two leading Christian periodicals of the early eighteenth century in Germany. One journal put forth the orthodox Lutheran viewpoint, the other that of “Pietist” reformers. Through these journals, a battle took place for control of the Lutheran church, and thus for much of public life in Protestant Germany. Because Pietists believed Jews to hold a special place in God’s plan, they sought to rehabilitate Jews to their Christian readers and to argue for better conditions for Jewish communities. Orthodox Lutheran leaders quickly identified Pietists’ “Jew-friendly” policies as an Achilles’ heel. To attack Pietists, the orthodoxy dredged up and re-publicized centuries-old anti-Judaic propaganda, negative images that the orthodoxy linked to Pietists. Representatives of the Lutheran orthodoxy thus deployed anti-Judaic stereotypes in order to shore up their own church-political hegemony. Through this media manipulation, the Lutheran state church was able to seed fear among Christian readers and to argue that Pietist reformers and Jews were pollutants that needed to be cleansed from church and society.

It is often remarked that politicians’ private lives are becoming feature of political communication in many advanced industrial democracies. However, there have so far been no genuinely comparative studies examining the personalised nature of political communication. Intimate Politics provides for the first time a systematic comparative analysis of such developments in Australia, France, Germany, Italy, Spain, the UK, and the US. Drawing on a wide range of primary and secondary sources it assesses the extent to which the private lives of politicians have become a feature of political communication in each democracy. The book provides a comprehensive account of the shifting boundaries between the public and private and whether any developments are universal or more advanced in some democracies than others, and seeks to explain why this might be. Intimate Politics will be of great value for students and scholars of communication and media studies and political science and is required reading for anyone who wants a fuller understanding of the transformation of mediated politics in advanced industrial democracies.

The article presents the considerations, that the tabloids (here: the press and gossip portals) promote distorted, but suggestive picture of the world. These media have enormous creative potential. Under this concept the ability to create a false vision of reality (rather than reflecting it faithfully) is meant. The article is divided into two parts, an analysis of media discourse is the first of them. The author tries to determine if the tabloid articles and gossip portals respect the principle of accuracy, brevity and of regulation of journalistic ethics. Research helps deduce the following conclusion: tabloid media break "factual pact." The media create a false picture of the world and they use the mechanisms of fiction, rather than reflect reality. In the second part of the article the author focuses on the language, typography and graphic persuasive mechanisms that are present in the tabloids and gossip websites. Case studies were preceded by reflections on the relationship between persuasion and manipulation.

This study examines the characteristics of Infotainment Journalism in a society under crisis. Using the Greek-Cypriot press as a case study, we contrast news reporting during 2013 (after the onset of the banking crisis) to the preceding year. In the course of the study, both quantitative and qualitative analytical methods are employed; formal content analysis used to investigate the occurrence of various infotainment features in news stories, and framing analysis to explore how these are established. This study shows a significant rise of infotainment characteristics in the news during times of crisis, while in new items/reportages where infotainment characteristics are present, stories seem to be presented in predominantly humanitarian frames, indicating an effort to present hard and soft news in a socially relevant manner. Although a significant increase in its occurrence is observed after the onset of the banking crisis, infotainment does not become a dominant, or even a major, journalistic type.

The death of former child star Michael Jackson in 2009 reignited public debates around the potential dangers of early fame. This article explores the ways in which the status of child stars has changed over the course of the twentieth century in line with shifting attitudes towards childhood in general, and with the proliferation and diversification of media formats. Starting with the Hollywood “Child Star” era and moving on to child stars of television and more recent films the connection between the kind of children audiences have demanded to see on screen, and wider ideologies of childhood, will be explored. It will be demonstrated how representations of childhood innocence and naturalness have often been at odds with the “real life” experiences of child stars, and the continuing practice of allowing children to become media celebrities is questioned.

Download: https://doi.org/10.2307/j.ctv5cg94w
The automotive sector represents more than a simple industry. Since the late nineteenth century, it has embodied the economic and technological power of nations, the lifestyle, the dynamics of urban and territorial development, and it has acted as a national barometer of economic success and failure. This book explains how the car industry works and analyses the challenges both for the sector and for the economies that rely on the industry for jobs, growth, and innovation. It explores an industry that has been under severe pressure in industrialized countries for many years—factories have shut down, jobs have gone, and brands have disappeared—yet world production has never been so high, reaching new peaks annually. Fabio Cassia and Matteo Ferrazzi investigate as well the new trends of urban mobility and the characteristic of " car of the future " : the traditional landscape of car production and usage will be driven by technological advances, connectivity, car sharing, and by one the most fascinating advances, the self-driving car. How different will be the automotive sector in a decade? Will the traditional players be challenged by new entrants such as Google, Apple, Uber?

First chapter download: https://agendapub.com/images/pdfs/chapters/9781911116721_chp.pdf

Il testo illustra le differenze tra due generi televisivi, ovvero la divulgazione scientifica e l'infotainment, in relazione al ruolo fondamentale che ha avuto un certo tipo di informazione televisiva nella formazione del caso mediatico relativo al cosi detto "metodo Stamina", proposto nel 2012 dal dott. Davide Vannoni e bocciato dal comitato scientifico che nel 2014 fu incaricato di valutare i presupposti per una sperimentazione.

Данная дипломная работа посвящена исследованию специфики журналистского расследования в телепрограммах потребительской тематики на примере проекта «Ревизорро» ТК «Пятница». Автором исследуются телепе-редачи данного типа на российском телевидении в целом, из них особо выделяются те, которые основаны на журналистском расследовании. На базе  одиннадцати выпусков первого сезона «Ревизорро» анализируется специфика данного телепроекта (правовой аспект расследования, документальные методы журналистского расследования, драматургия, инфотейнмент, телевизион-ные «аттракционы», репортажная подача информации, аудио- и видеоряд и др.) как нового вида телепрограммы-ревизии потребительской тематики на российском телевидении, обобщаются результаты сравнения «Ревизорро» с другими подобными ей передачами и формулируются выводы.
Ключевые слова: тележурналистика, расследовательская журналистика, телепрограммы потребительской тематики, инфотейнмент, «Ревизорро».

ABSTRACT
In the qualifying paper the author examines the peculiarities of journalistic investigation based on consumer related programmes. Having studied eleven runs of the programme  «Revizorro» by TV-channel “Pyatnica” (‘Friday’), the author analyses the specific features of the programme (legal aspect of investigation, documentary methods of investigative journalism, drama, infotainment, television ‘attractions’, reporting way of information feed, audio and video sequences, etc.) to compare this programme with other similar programmes and to elicit the important aspects.
Keywords: television, journalism, investigative journalism, consumerism-themed television programs, infotainment, «Revizorro».

Anita Biressi examines the historical origins and development of true crime and its evolution into distinctive contemporary forms. Embracing a range of non-fiction accounts including true crime books and magazines, law and order television, and popular journalism, Biressi traces how they harness and explore current concerns about law and order, crime and punishment, and personal vulnerability.

Preface
Acknowledgements
PART ONE: TRUE CRIME: ISSUES, HISTORIES, CONTEXTS
Introduction
'True Stories Only'
Histories of True Crime Discourses of Law and Order in Modern Britain
PART TWO: TRUE CRIME: STORIES, BODIES, CRIMINALS
Crime Magazine Stories: From American Idiom to an English Vernacular
Period True Crime: History from Below?
Daring to Know: Looking at the Body in the New True Crime Magazine
Figure in a Landscape: The Dangerous Individual in Criminal Biography
Bibliography
Index

"El artículo parte de la división tradicional entre prensa seria y prensa sensacionalista con el fin de estudiar
si la frontera entre ambas formas de hacer periodismo sigue vigente o aparece desdibujada en la actualidad.
Con ese objetivo se realiza un análisis de caso, la cobertura de la desaparición de Madeleine
McCann en los tres principales diarios nacionales de información general El País, El Mundo y ABC. El
estudio identifica los aspectos de selección temática, disposición y tratamiento de la información en los
que las tres cabeceras se alejaron de los parámetros de un periodismo de calidad deslizándose hacia un
abordaje sensacionalista de la información."

Este trabajo tiene el propósito de analizar el proceso de descomposición del bipartidismo en España, la polarización partidista y la posterior fragmentación en dos bloques ideológicos a consecuencia de la aparición de nuevas fuerzas políticas en el periodo 2014-2019.
Su objetivo básico es analizar la forma en que se ha producido dicha polarización: cómo se produjo primero en el ámbito de la izquierda y posteriormente en el de la derecha, las consecuencias dentro de los partidos, y si también fue acompañada por una polarización ciudadana para, en definitiva, analizar cómo todos estos cambios han alterado el equilibrio existente en la política española, consolidando el nuevo sistema multipartidista.
La fragmentación asociada a la polarización, por su novedad, son absolutamente relevantes para conocer la situación actual del sistema de partidos en España, que atraviesa momentos de cambio que no conocen precedentes y que sin duda determinarán la futura evolución de una democracia que, durante sus primeros cuarenta años de vida tras la restauración posterior a la dictadura franquista, se mantuvo muy estable mediante la alternancia entre los dos grandes partidos. La irrupción de nuevas fuerzas y la reestructuración que está teniendo lugar durante estos últimos años, sin duda va a dar comienzo a una nueva etapa en la política española cuyas bases se están poniendo en la actualidad.

1927 rückte ein Sittlichkeitsskandal Bremen in das Licht der reichsweiten Öffentlichkeit. Im Fall Kolomak wurde vor dem Bremer Landgericht die Geschichte der 1924 verstorbenen Lisbeth und ihrer wegen Kuppelei verurteilten Mutter Elisabeth Kolomak verhandelt. In regionalen sowie überregionalen Zeitungen und Zeitschriften wurde intensiv über den Prozess berichtet. Die „Stars“ der Gerichtsberichterstattung kamen in die Hansestadt und schrieben kontrovers über die gesellschaftliche Doppelmoral, die Krise der Justiz und die (Zwangs)Behandlung von Frauen, die der Prostitution verdächtigt wurden. Neben den eigentlichen Ereignissen wurde hierbei exemplarisch die durch Krieg und Inflation veränderte Moral zwischen den Geschlechtern verhandelt. In Bremen selbst kam es zu einer „Presseschlacht“ um die Glaubwürdigkeit der Bremer Behörden. Der Artikel befasst sich mit den unterschiedlichen Darstellungen und Wertungen des Falles und gibt damit einen Einblick in die moralischen Debatten sowie die Arbeitsweise der Presse in der Weimarer Republik.

Questo breve saggio si propone di investigare il sistema di cause economiche, meccanismi culturali e strumenti tecnologici che sottendono all’emergere dell’era della post-verità, tracciando una mappa per orientarsi fra i moderni populismi e la complessa rete di relazioni che li lega al sistema dei media. In questo periodo di cambiamenti di portata epocale sembra infatti aver preso vita un inedito rapporto fra media e politica, causato dalla crisi di legittimità del giornalismo e dei partiti tradizionali, e in parallelo dall’imporsi di una sfera di informazione e dibattito centrata sui social media, che ha portato alla divisione dell’opinione pubblica in fronti ideologici chiusi e bellicosi e alla diffusione di un’informazione sensazionalista, faziosa e spesso palesemente falsa.

En el contexto actual ha crecido en importancia una nueva manera de ver la televisión: la población mexicana ve una menor cantidad de horas de televisión tradicional y cada vez es mayor la cantidad de horas de
televisión por internet vistas por persona, sobre todo entre los jóvenes. Novedosos géneros de programas de televisión que combinan información y entretenimiento proveen de información sobre política y asuntos públicos a quienes los consumen, elevando a sus creadores al estatus de líderes de opinión. Uno de estos nuevos géneros es la parodia de noticiario, cuya naturaleza híbrida ha provocado confusiones acerca de en qué medida esta debe someterse a los estándares profesionales que se exigen al periodismo, así como tensiones en cuanto al lugar de este discurso público frente a la cultura periodística dominante. A partir del análisis del caso de El pulso de la república, se pretende explorar la manera en que sus creadores manejan y resuelven las tensiones alrededor de los programas
de sátira política y periodismo ciudadano.

Popular science television today is dominated by “infotainment” and undergoes the convergence processes. The number of genres of television travel journalism is increasing due to the emergence of various TV shows and entertainment programmes. However, there is no substantial thesis concerned with travel journalism so far. This article is devoted to travel journalism as it is practiced on modern television and the characteristics of travel programmes and their prospects for development.

"What is tabloid culture?
How do tabloid media prompt debates about values and ethics?
Can we respond positively to the `tabloidization' of culture?
What is so appealing about the rhetoric, attitude and posture of tabloid culture?
Which theories and concepts can help us analyse and understand tabloid media?
This wide-ranging and accessible Reader provides a useful introduction to the historical and contemporary debates about the values, ethics and pleasures of tabloid news, entertainment and culture.

Arranged thematically, the book addresses definitions and debates, values and ethics, carnival and excess, celebrity, gender and sexuality, production and the audience. With specially written introductions to the volume and to each section, the Reader features key writings from leading scholars in the field. Essays explore the history and origins of tabloid culture and concepts such as the press, magazines, shock-jocks, the public sphere, reality and talk show television, photojournalism and voyeurism, and examples used include:
heat magazine
Loaded and men's lifestyle publications
Jackass
The tabloid life of O.J. Simpson
Big Brother's Jade Goody
Each section is followed by recommendations for further reading.

"

Désignée « mot de l’année 2017 » par le dictionnaire Collins, la « formule » fake news, notamment en raison des usages qui en sont fait par le président Trump, n’en finit pas d’alimenter les débats au sein des sciences sociales.
S’agit-il d’un fait nouveau, ou bien d’un simple mot-valise à la mode recouvrant d’autres phénomènes mieux connus et étudiés tels que les rumeurs, les théories du complot, la propagande ou la désinformation ? En d’autres termes, l’expression fake news est-elle un concept opératoire pour les sciences sociales ?
Partant de cette interrogation, cette présentation entend procéder à un effort de cadrage de faire des fake news une catégorie et un outil analytiques d’un fait social relativement autonome, produit d’une nouvelle donne de l’économie numérique, dans la mesure où elles se situent au carrefour des différentes notions citées précédemment, sans toutefois les recouper pleinement.

Il processo di innalzamento del livello culturale svolto dalla Rai delle origini è stato interrotto dall'irrefrenabile ascesa della TV commerciale che, oltre a farsi promotrice di valori materiali e per molti aspetti diseducativi, ha portato all'ottundimento dei telespettatori, proponendo loro un mondo edulcorato, fittizio e del tutto illusorio. L'autore indaga le cause che stanno alla base del successo di Silvio Berlusconi, smascherando le abili strategie comunicative da lui messe in campo al fine di ottenere il consenso politico dell'italiano medio. Il volume fa luce sui fenomeni della videocrazia e della teatralizzazione della politica, la quale si è arresa incondizionatamente alle leggi a lei imposte dal piccolo schermo e potrebbe fungere da monito contro le nuove forme di populismo emergenti.

"INTRODUCTION

Our world of the society of the 20th and 21st centuries is becoming the realm of pictorial representation. Modern technologies of recording images and mediating them enable the press, the television, and the Internet to base their messages on images. As images have dominated our communication, their impact on our cognition of the world has grown substantially.

This thesis attempts at discovering
methods in which technology and underlying culture specific features are built into pictorial messages used in the press and posters. It also describes factors unintentionally or deliberately influencing every act of mediating information.
The thesis is divided into seven chapters corresponding to various approaches and analyses employed within them. The first chapter analyses technological implications of mediating messages. Technology is understood here as both the mechanical and physical features of mediating messages with ‘tools’. The chapter also describes the influence senders and mediators of (pictorial) information may exert on final messages that reach readers. The chapter’s concluding part describes the diversity of discourses present in every society. The nature of discourses and their codes, as well as the manipulation of those, are analysed in chapter 3, devoted
to presenting various linguistic and culture studies theories. Various linguistic and cultural theories are employed in analysis of the act of mediating. The chapter begins with the analysis of signs and systems of communication (de Saussure and Lévi-Strauss). Later, theories of culture-specific codes and mythologies are introduced (Eco, Barthes, Hall). Finally, Marxist approach is employed in the analysis of the mediation of pictorial messages (Althusser, Gramsci). The ideas of scholars are interwoven with graphic examples analysed according to the theories presented. Chapter 5 draws a conclusion from the analyses of chapters 1 and 3. The conclusion is graphically presented in a few versions of information chain. The chain evolves with the development of the theories it attempts to encompass. The final chain is
described as a means of reading messages thanks to which readers may sift out information about an event from ideological elements of a message.

The theoretical conclusion of chapter 5 is employed in the analysis of a few examples in chapter 6.  This chapter presents a few examples of images and posters
as it tries to postulate some reading techniques that a reader may use. Finally, in chapter 7, a general conclusion is sketched out of analyses and conclusions of the previous parts. The conclusion attempts to explain if and how ‘we readers’ are constantly manipulated. Chapters 2 and 4 are devoted to demonstrating a few representative examples of press photography, and war and film posters respectively.
Images constitute a collection of press pictures from numerous newspapers (Time, Newsweek, The Guardian, The Daily Telegraph) and of film and war posters from picture collections by Hudson, Yapp and Mayes. As in the case of John Berger’s “Ways of Seeing”, the chapters presenting only images constitute an indispensable reading for the evaluation of the analysis presented in the thesis."

Recent US culture wars have been waged through televised entertainment news (infotainment TV). The imprint left by Jon Stewart and The Daily Show on mainstream news outlets has been analyzed in political communication studies and media studies. However, no one has so far made a case for Jon Stewart as a protagonist in these culture wars, especially because Stewart himself wants to stay clear of and set himself apart from them. This paper looks at the performativity of these culture wars in infotainment TV as the medium and locus where the culture wars are waged. While I recognize the crucial role played by Jon Stewart and The Daily Show in critiquing news-media coverage of American politics, I nevertheless contend that Stewart can also be seen as a culture warrior, albeit an unwilling one, and that, by giving him a voice, the medium of infotainment TV is turning him into such a warrior. My argument is predicated on the belief that satirical/political infotainment TV is an important locus of the culture wars and must be studied carefully because it plays a political role in mediating their re-enactment. Using this news-media satirical form as epistemological grounding, I first focus on how these culture wars play out in satirical/political infotainment TV and show that infotainment TV, because it is mediated as such, both critiques and re-enacts the culture wars and affects the American journalistic mediascape. I then examine satirical infotainment TV as political practice.

This article documents some foregrounding devices that the media use to attract readers’ attention to linguistic forms, all identified in sports reports relating to the Euro 2004 Football Championship published in various British newspapers. A functional explanation is offered in terms of the poetic and interactive character of such devices and their role in simulating friendship and encouraging ‘bonding’ between the writers and
readers (phaticity). Their omnipresence in the British media is linked with structural characteristics of the English language, the readiness of the British to tolerate manipulation of linguistic forms, and the general trend towards ‘infotainment’ in the media.

سبک خبری اینفوتیمنت یا «خبر- سرگرمی» به برنامه رسانه ای اطلاق می شود که مبتنی بر ارائه اخبار توام با عناصر سرگرم کننده، جذاب و مخاطب پسندی همچون طنز، انتقاد، توصیف، هیجان و... است. هدف از «خبر- سرگرمی» تلاش به منظور افزایش مقبولیت در بین مخاطبان رسانه است. مخاطبانی که در عین حال دوست دارند سرگرم شوند، بخندند، بیاموزند و حتی تکیه بدهند و حقیقتا از یک خبر لذت ببرند. زیرا در دنیای کنونی به سبب فشار کار روزانه و شرایط دشوار زندگی ماشینی، انسان ها بیش از هر زمان دیگری به سمت فراغت و سرگرمی سوق داده شده اند. اهمیت سرگرمی و جایگاه آن در اخبار، از گذشته تاکنون نقش مهمی در مطبوعات ایفا نموده است.تاریخچه این سبک خبری را می توان به عصر روزنامه نگاری مسلکی باز گردانید. زمانی که به جهت فضای سانسور، رسانه ها جهت انتقاد به وضع موجود، به سمت و سوی ارائه مطالب طنز گرایش پیدا می کنند. بعد از آن نیز رسانه های خبری، جهت عقب نماندن در میدان رقابت تنگاتنگ رسانه ای (خصوصا رسانه های پرمخاطب جدید) و جهت حفظ و حتی افزایش تیتراژ، به سمت رضایت هرچه بیشتر مخاطب رسانه ای روی آوردند. در این زمان بود که انواع عناصر فرمی و محتوائی و قالب های مختلف رسانه ای، در این عرصه به مدد مطبوعات شتافتند و روز به روز گسترش و تکامل یافتند. عناصر محتوائی همچون نرم خبرها، فیچرها، گزارش های توصیفی، مطالب طنز و شوخی از یک سو و عوامل فرمی همچون تیتر، لید، عکس، رنگ و گرافیک و... از سوی دیگر به مدد مطبوعات شتافته و در میدان سخت رقابت رسانه ای، جهت جذب و اقناع مخاطب، به یاری مطبوعات شتافتند.

Este capítulo ofrece un análisis del concepto de «infoentretenimiento» desde el examen de la práctica profesional del periodismo en televisión. Se presenta un análisis de las respuestas a un cuestionario realizado a editores y productores de informativos (noticiarios) de algunas cadenas de televisión de referencia en España. Este estudio nos ha permitido clarificar las funciones del editor y del productor de informativos en televisión, las principales causas de los cambios producidos en la edición y producción de informativos, el papel de las audiencias y la evolución de la calidad de los informativos en el contexto del auge del infoentretenimiento, entre otras cuestiones. Asimismo, se apuntan algunas razones que explican este fenómeno.

""Çanakkale muharebeleri genelde dünya tarihine, özelde ise Türk, Avustralya ve Yeni Zelanda tarihine damgasını vurmuş, dünya savaşının en büyük kahramanlık destanlarının yazıldığı muhaberelerden birisidir. Çanakkale’de 1914 yılının sonlarında başlayan ilk saldırılar, 18 Mart 1915’deki deniz taarruzu ve 25 Nisan 1915’te vuku bulan kara harekâtı ile doruk noktasına ulaşmıştı. Kara harekâtı o güne kadar birbirini tanımayan, belki de birbirlerinden haberdar olmayan iki dünyaya birbirleri ile tanışma fırsatı sağlamıştı. Muharebeler esnasında Anzak ve Türk askerlerinin birbirleriyle olan münasebetleri ele alınan nice konulardan biri olmuş, bunlar arasında en yaygın türlerden biri de basın kaynaklı çalışmalardır.
Çanakkale muharebelerinin Türk ve dünya basınındaki yansımaları birçok araştırmacı tarafından ele alınmıştır. Çanakkale muharebeleri ile ilgili Özkaya(1996), Özen(2004), Yazan(1996), Esenkaya(2003), Halıcı(2005) ve Çelik’in(1992) Türk basınını ele alan çalışmaları ve Bolyazıcı (2010) ile Sarıkoyuncu-Değerli’nin (2009) Avustralya basını üzerine yapmış olduğu çalışmalara ek olarak, bizde bu çalışmamızda Çanakkale muharebeleri esnasında Avustralyalı ve Türk askerlerin yaşamış oldukları olayları ve izlenimleri “Sydney Morning Herald” Gazetesi’nin sayfalarına yansıyan haberlere dayanarak ortaya koymaya çalışacağız. 1831’de Sydney Herald adıyla haftalık olarak yayın hayatına başlayan gazete, 1840 yılında günlük çıkmaya başlamış ve bugün de hala yayın hayatına devam etmekte olup ve Avustralya’nın en eski gazetesi olma unvanına sahiptir.
Sydney Morning Herald gazetesinde yapmış olduğumuz incelemede bahsi geçen süreç içerisinde Çanakkale cephesi ile ilgili yüzlerce haber yer almaktadır. Biz bildirimizde askeri ve politik haberleri dışarıda tutarak “insanı” merkez alan bütüncül bir anlayışla; Avustralyalı askerlerin hatıralarına, Gelibolu ve Türklerle ilgili izlenimlerine, savaşın dışında gündelik hayatlarını nasıl sürdürdüklerine, Noel kutlamalarına ve savaşın bitimiyle beraber yarımadadan geri çekilmelerine kadar geniş bir yelpazede konuyu ele almaya çalışacağız."
ABSTRACT
Dardanelles Wars which generally effected world history, particularly history of Turkish, Australia and New Zeland, is one of the greatest heroic epics written. First attacks that began in late 1914, had reached a peak with naval attack on March 18, 1915 and ground attack of April 25.
Ground operations provided an opportunity to meet two different cultures whose people were possibly not aware of each other until that day. Anzac and Turkish soldiers relations during the battles is one of the most studied subjects.
In this study we try to put forward a new perspectives on events that occured between Australian and Turkish soldiers during Galliopoli Wars taking the news took place on Sydney Morning Herald pages, in addition to Turkish and Australian press based works about Gallipoli wars, Özkaya (1996), Özen (2004), Yazan (1996), Esenkaya (2003), Halıcı(2005), Çelik (1992), Bolyazıcı (2010) and Sarıkoyuncu Değerli (2009) into consideration.
Founded in 1831 as the Sydney Herald, the Sidney Morning Herald is the oldest contining published newspaper in Australia. The Sydney Morning Herald started as the weekly and then became daily in 1840. Sydney Morning Herald includes hundreds of interesting news about Gallipoli wars. This paper examined memories of Australians soldiers, their impression on Turks and Gallipoli, their daily life in trenchs, Christmas celebrations and evacuation of Gallipoli with a “human centered” understanding, rather than political or military."

This article has several aims. First, it aims to sketch the historical use of the term "fake news" in the U.S. (now globalizing), while documenting key shifts (from comedic-economic meanings and uses to more "tragic" political-economic ones). The shift in use and meaning further corresponds to political-economic-entertainment effects, intermingled. Finally, recent discussions diagnosing causes and proposing solutions to correcting, containing, or eliminating fake news are considered (such as AI and ethical design, as well as cognitive bias) and critiqued, while different theories of causation and corresponding solutions are proposed.

Procurando um início de resposta perante as dificuldades de classificação do “reality-show”, o presente trabalho argumenta que, não obstante, a sua multiplicidade constitutiva, a sua diversidade de formatos e a sua natureza fluida e evasiva, é possível delimitar os seus contornos gerais do “reality-show” enquanto género televisivo. Como primeiro passo dessa tarefa, sublinha-se, neste artigo, um conjunto de influências e factores de ascendência fundamentais que contribuíram decisivamente para moldar aquilo que entendemos na contemporaneidade por programas televisivos de realidade, nomeadamente, os movimentos artísticos do Realismo e do Naturalismo, a estética documental, o jornalismo sensacionalista, e o desenvolvimento da televisão enquanto indústria.

‘Popüler doğa bilimi’ konusunda neredeyse tüm dünyada baskın mecra haline gelen BBC’nin Planet Earth serisi, prodüksiyon maliyeti ve ulaştığı seyirci rakamıyla en ‘pahalı’ ve en ‘popüler’ belgeseller arasında yer almaktadır. BBC’nin kamusal yayıncılığı ve bir tür olarak belgesel filmin kamusal kimliği ile ‘popülerlik’ kavramının sorunlu bir ilişkisi vardır. İzleyiciyi eleştirel bir sonuca götürmeyi amaçlayan belgeselin, bilgilendirerek düşünmeye sevk eden ve bellek oluşturan özelligi ön plandadır. Oysa televizyon, belgeseli popülerleştirmek için üst ideolojisi olan ‘eğlence’ ile sarmalar. ‘Eğlendirirken bilgilendirme ya da eğitme’ (‘infotainment’- ‘edutainment’) popüler televizyon belgesellerinin ana teması olarak sunulmaktadır. Son yıllarda izleyici ilgisini giderek artırmayı başaran popüler doğa belgesellerinde ‘bilgi’ ve ‘eğlencenin’ nasıl harmanlandığı sorusu, bu çalismanin ana konusunu oluşturmaktadır. İçeriği niteliksel olarak incelenen Planet Earth serisinin anlatım özellikleri eleştirel bir okumaya tabi tutularak analiz edilmeye çalisilmistir. Bu analiz çerçevesinde Planet Earth serisinde sıradan insanlara ‘bilimsel otorite’ anlatımıyla düşünceden koparılmış birbiriyle bağlantısız bilgi yığınlarının sunulduğu görülmüştür. Düşünceyi işletemeyecek kadar yoğun ve birbiriyle kopuk bilgilerin neden olacağı zihin fesadı, televizyon ideolojisine bulanmış ‘manzara hazzı’ ile giderilmeye çalisilmistir. Doğa hakkında hipnotize eden görsellikle bezenmiş âlim-i mutlak anlatım, insanın doğayı evcilleştirme çabasi ve bunun sonuçları üzerine düşünmeyi engellemektedir.

This paper traces the media coverage of former child prodigy Charlotte Church over the period 1998-2007 as she moved from a charmed childhood through a turbulent adolescence and into young womanhood. Through an analysis of newspaper stories about the young star, I argue that Church is presented as a tragic figure who became symbolic of the metaphorical struggle between good and evil, and between childhood and adulthood, in British society. I demonstrate how certain key elements of Church's story adhere to the universal tale of the hero which recurs in myths and legends around the world, and argue that exploring the structural elements of such media stories is a useful way of understanding the continuing presence of the child star in Western culture.