Susanna Clarke, Jonathan Strange & Mr. Norrell (2004) I should not have been surprised that the NYT list skewed heavily away from genre fiction—but missing Susanna Clarke’s world-changing doorstopper of a debut is a particular head-scratcher. On paper, the book still seems daunting in an almost comical way: a Regency-era epic (with footnotes and extensive digressions on philosophy, magic, politics
