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はてなキーワード: Backgroundとは
giant humanoid robot, white armor with blue chest and red accents, iconic V-shaped yellow crest on its head, mechanical details, intense and determined expression, large metallic feet, standing upright facing forward, futuristic military design, holding a large beam rifle in one hand, shield attached to the other arm, sci-fi city background, realistic and detailed, high quality, 8K, cinematic lighting, sharp focus, --no text, watermark, blur, low quality, cropped image, extra limbs, deformed, bad anatomy --chaos 30 --ar 1:1 --style raw --personalize itwx2ri --stylize 50 --weird 900 --v 6.1
生成AIの絵づくりは、しょせんは絵を描いてるのではなく、学習と称した参照先(膨大な参照先)の画像のパーツをよしなに切り貼りしているの延長に過ぎないことが、よくわかる。
https://www.washingtontimes.com/news/2024/sep/30/sunken-chinese-submarine-was-new-hybrid-nuclear-co/
By Bill Gertz - The Washington Times - Monday, September 30, 2024
Defense analysts at the Pentagon assess the new Zhou-class attack submarine that sank near Wuhan is “a new class of nuclear submarine that is similar in size to PLAN conventionally powered submarines, but with a small nuclear reactor,” a U.S. defense official said, speaking on background.
その可能性はある
The new Zhou-class submarine was confirmed by the Pentagon last week after one of the boats was seen in satellite images partially submerged beside the pier as the result of an unknown mishap.
「partially submerged beside the pier」な衛星画像はない、存在するのは艀船の写った写真だけ
浅い長江で沈んだのなら艦影くらいは写ると思うし、あのでかいのを釣り上げるのは時間かかるからその画像があるはずだが、それがないのでずっと腑に落ちない
“As such, we do not know if the submarine reactor was fueled at the time of incident, or if it is going to be relocated to a known nuclear-certified facility for its initial fueling, such as Huludao shipyard, which has built all previous PLA] navy nuclear submarine classes,” the official said.
後者はねえだろ
進水後にはるばる遼寧省まで運んで核燃料入れるとかは99.999％ねえだろ
本当にU.S. defense officialなの？
https://www.defenseone.com/ideas/2024/10/chinas-sunken-nuclear-sub-was-likely-nothing-sort/400001/
By J. Michael Dahm and Peter W. Singer - October 2, 2024 02:04 PM ET
The ICBM test reminds us of a similar media frenzy sparked by a dubious claim earlier this year. In January, Western media aired claims by unnamed U.S. officials that corrupt PLA officers had filled their missiles with water.
The reporting seemed to be unaware that the Chinese term 灌水 (guànshuǐ), which does mean “to pour water into” but also references unscrupulous butchers adding water to meat to increase its weight and price, used metaphorically to refer to corruption.
Yes, the PLA Rocket Force has experienced a crisis of corruption. No, they do not fill their missiles with water to cover up that corruption.
そうなんよな
あのときも匿名の国防総省関係者が情報源で日本のメディアでも無批判で報道されたんだよね
「ミサイルに燃料ではなく水注入？ 汚職疑惑の中国ロケット軍 米報道」って
This story also underlines a larger problem in Western media reporting on China’s military in recent years: too often, it swings between two extremes that portray the PLA as either comically inept or ten feet tall.
それなあ
わからん🤣
沈んだのは本当としてもほんとに原子力？
武昌造船所には渤海造船所にあるような核燃料保存施設が確認されてなくない？
でも通常動力型潜水艦に小型モジュール炉をディーゼルエンジンの代わりに積むとかいう話もあるし、だったら原子炉を他で作って持ってきたとかも？
前回と大して変わらないなあ
正直眉唾っぽーい
ちょっと前にAIイラストが話題になっていたので興味が湧き、自分もpixAIというサイトでAI絵の自動生成をしてみた。
1週間ほど触ってみて思ったのは「反AIイラストの人は自動生成を使ったことがないんじゃないか」ということ。
手軽に凄い絵が出来上がるものだと思ってるんだろうけど、そんな簡単ではなかったよ…
素人生成じゃキャラ一人のすっごい限定されたポーズと構図でしか破綻の少ない絵は作れないし、その辺りちゃんと指定するのはマジで大変。
細かく指定する能力は、それだけで才能と呼ばれるものだと感じた。
良く言われるちゃんとした手が描けないだけでなく、身体の末端はちゃんと描けない事が多い。
ちゃんと指定しないと腕が複数生えたりゴム人間みたいな関節のキャラが出来上がる。
後、AI君はネガティブプロンプト(これ描かないでっていう指示)をちゃんと読んで下さい。
「とりあえず、いっぱいついてた方がお得だよね！」みたいな感覚で指を増やさないで頼むから。
②複数人を描くのが苦手
これもかなり細かく指定しないとキャラ同士が簡単に悪魔合体してクリーチャーが出来上がる。
ちょっとエッチな絵を作ろうと適当なプロンプト(これ描いてって指示)を入れたら可愛い女の子の股間に立派なおちんちんが生えた画像を生成されて泣いた。
男1女1で指定してるじゃないですか、指示よく見てくださいよ本当に。
画像から人物のポーズを取り込めるので「白背景に裸で立ち絵を生成してくれ」って指示をしても、細かい部分に服を着せたがる。
プロンプトに白背景(white background)、完全な裸(completely nude:2.0)
…してるのに、かなりの確率でチョーカーやらサンダルやらを着せたがる。
更によく分からない小物やら、オシャレぽい背景を足してくる。
④暗い画面構成が出来ない
どの絵もバチバチに陰影をつけたがる。
どっから入って来た光なのよ…
It's sudden, but right now in Japan, creativity is facing a true crisis. Characters like Uzaki-chan, Onsen Musume, and Tojo Rika are being targeted and flamed, game character designs are being infiltrated by political correctness, Johnny's Entertainment is being dismantled, swimsuit photo sessions in parks are being canceled, Hitoshi Matsumoto is being publicly shamed, and the new AV law was enacted without considering the opinions of those directly involved. Every form of expression in every venue is currently under unreasonable pressure.
How does this connect to the Tokyo gubernatorial election? In fact, a major event directly linked to this is occurring in the 2024 Tokyo gubernatorial election. As a creator, I hope this message reaches you.
What I am about to share is a story about someone named Himasora Akane, who you should know about to resist such pressures. But before I dive into that story, I want to express my deep gratitude to my old friend Nozomi for giving me the opportunity to post this article in a place where many creators will see it. As someone who also loves manga, anime, and games, I hope this information will benefit Japanese society and support Nozomi's activities.
Himasora Akane Should Be the Governor of Tokyo
First, I would like to make a straightforward request to you as a creator: please support Himasora Akane for governor. In this election, please write "Himasora Akane" on your ballot. The voting day is July 7th. Even if you are not a Tokyo resident, I ask that you at least listen to this story. If you find it interesting, please share it with your friends, family, and acquaintances. You can check Himasora Akane's campaign promises and the background of their candidacy on their Twitter (X) posts linked below:
Himasora Akane (Tokyo gubernatorial candidate)
https://x.com/himasoraakane/status/1804846779399324095
Himasora Akane Will Not Allow Our Culture to Be Burned
Himasora Akane is an ordinary otaku who loves manga, anime, and games. Known as "Cognitive Profiling Detective Akane Himasora," he has been active on Twitter (X) and YouTube, and now he is running for governor. Akane, who is deeply concerned about the repression and destruction of otaku culture, is challenging those who seek to destroy our culture alone. Akane will never allow those who try to burn our culture.
As mentioned at the beginning, all forms of expression are currently under pressure. Otaku culture, in particular, seems to be a prime target.
Uzaki-chan Blood Donation Poster Controversy (2019): A collaboration between the Japanese Red Cross Society and the manga Uzaki-chan was flamed for allegedly being overly sexual in its PR illustration.
V-Tuber Traffic Safety Video Controversy (2021): A V-Tuber hired by the Matsudo Police Department in Chiba Prefecture was deemed too sexual for public agency PR.
Onsen Musume Controversy (2021): Characters personifying local hot springs were criticized as sexist.
Mie Transport Official Character Controversy (2024): A character in a bus driver's uniform released by Mie Transport was flamed for evoking sexual images.
These controversies are often fueled by so-called political correctness and feminism. For creators, these are direct threats. If these factions label your work as sexual and demand it be burned to ashes, could you resist? How would you feel if your painstakingly created work, like your own child, was trampled by people who have no regard for your efforts? Could you continue your creative activities while constantly shrinking away?
Himasora Akane saw something behind these flaming incidents. He started investigating the key figure behind the Onsen Musume controversy, a representative of a general incorporated association in Tokyo. This association's core business, the Young Female Victims Support Project, received substantial public funds from Tokyo. Akane submitted public document disclosure requests to Tokyo and thoroughly dug into the organization. During his investigation, Akane uncovered many suspicions suggesting this project was unworthy of public funding, which he exposed one by one on social media.
Negligent accounting reports, taking protected girls to the Henoko base protest in Okinawa, Communist Party members waiting in the bus used to protect girls—these revelations drew significant attention online. The investigation extended beyond this general incorporated association to other NPOs receiving public funds, and Akane named this cluster of issues the "WBPC problem" after the initials of these organizations.
Akane's YouTube Channel (WBPC Problem Playlist)
https://www.youtube.com/playlist?list=PLI5gTciLKtAXRyzv9j5FiNMcc8eoEBbMN
From here, Akane's story expanded to resident audits, resident lawsuits, and national compensation lawsuits concerning the Tokyo Young Female Victims Support Project. Akane discovered that behind many flaming incidents, there is no clear command structure but a group of various political organizations and activists working together like an amoeba. He named this group the "Nanika Group" (Nanika means "something" in Japanese), a reference to the mysterious, ominous "something from another place" in the manga HUNTER×HUNTER, which Akane loves. The Nanika Group is also connected to welfare interests, where public funds flow unchecked. Akane called this phenomenon "Public Fund Chu-Chu" (siphoning).
For creators, this means the tax money they earn through hard work is used to burn their precious works. It's an intolerable situation.
Himasora Akane Is Fighting Against Those Who Burn Our Culture
In November 2022, a major event marked a turning point in this series of controversies. The general incorporated association under scrutiny held a press conference at the parliamentary office building, gathering media and announcing a lawsuit against Akane. This "Legal Harassment Press Conference," as it was called online, involved multiple layers of power: the government, the media, and a team of seven lawyers targeting a single individual.
However, Akane did not back down. Instead, he intensified his pursuit, exploiting the opponent's careless statements as lawsuit fodder. This led to an outpouring of support on social media, with his Twitter follower count skyrocketing and 160 million yen in donations for legal fees.
The following year, a resident audit request filed by Akane resulted in Tokyo's official website recognizing some improper points and deciding to audit the organization. However, Tokyo's lenient audit led Akane to file a resident lawsuit. Suspicion also turned towards Governor Yuriko Koike for allocating public funds through dubious sole-source contracts. Tokyo began excessively redacting documents in response to public document requests, attempting to conceal the issue. Koike's promise to end document redaction quietly disappeared from her campaign page.
Throughout this battle, Akane has been a target of criminal complaints and faced threats, yet he persists. His book "Netoge Senshi" was released amid bookstore threats, but only the criminal complaint was widely reported by the media, portraying Akane negatively.
Himasora Akane is an ordinary otaku, a top-tier online gamer during his student days, and a talented game creator who worked for a major game company and later a venture company. His meticulous work on the game "Shin Goku no Valhalla Gate" was betrayed by the company's CEO, leading to a seven-year legal battle that Akane ultimately won, securing 600 million yen. This experience fuels his fierce opposition to having his creations burned.
Before investigating the Young Female Victims Support Project, Akane exposed fraudulent feminist "knights" on his YouTube channel, shaking the internet. He detests lies and has an uncanny ability to detect them.
Akane is a special individual with extraordinary abilities, honed through his experiences in games, court battles, and extensive document analysis. His pursuit of truth and justice makes him a suitable candidate for governor, promising a world without lies and where honest people do not suffer.
What We Can Do to Protect Our Culture
Creative expression can be crushed if we are not vigilant. Even in modern Japan, otaku culture is on thin ice. The recent cessation of Visa transactions for DMM (Fanza) is a reminder of how a single card company can wield its power to dictate what is deemed appropriate expression. Expression freedom is fragile and constantly under threat.
To those reading this, I urge you to vote for Himasora Akane. Support him to protect our culture. Despite his harsh demeanor and preference for solitary battles, he is now seeking help for the first time. Akane feels the danger in this gubernatorial election and believes that if he does not become governor, everything will end. He has taken a stand for the people of Tokyo and Japan.
I wrote this article to support his spirit and spread the word. Please vote for Himasora Akane and help create a miracle.
To you, the creator, I sincerely hope this message reaches you.
元記事：
増田で何度か大炎上した経験から増田で知性のカケラも感じさせずブチギレてる人たちを分析してみると、いろんな話を
真実、客観的に認められた事実、主観的事実、伝聞、ポリコレ、お気持ち表明、願望、
くらいのざっくりしたレベルにすらうまく分類できてない気がするんだよな
は三行目まで増田しか登場しないため、増田で知性のカケラも感じさせずブチギレてる人たち＝増田達だが
後半の事実に気持ちで殴りかかってきたりする、のは増田ではない（増田は殴り掛かられるほう）。
なので誰の話をしているのか分からない。
これを通じる日本語にするには以下のようにしてはどうだろうか？
増田で何度か大炎上した経験から増田で知性のカケラも感じさせずブチギレてる増田たちを分析してみると、
自分も昔はそうだったが、いろんな話を（後略）
こうしてみると日本語は high context というが実際は no context とか no argument というのが相応しいのではなかろうか。
例えば background は context に明記しなければ context ではないが書いていないため「誰もが知ってて前提にしてる事実」が何なのか分からないがそれを「ドヤ顔で披露」したり、
argument （事実として何の話をしているか）がないため「事実に気持ちで殴りかかってきたり」する。
同じ日本語を使っているから言葉が通じるように錯覚してるけど全然通じていないな！なんで日本語が通じないのか言葉にできてやっとすっきりした！
まさしく no argument （話にならない）というわけだ HAHAHA! 増田も通じない日本語よりも英語で書いたほうが良いかもしれんな。
Bing: Yes, this is the **Bad Place**. The air smells like **rotten eggs**, and the Wi-Fi is **terrible**. But don't worry, we'll find a way out of here! 😅
ワイ: What sin have I violated?
You find yourself in the **Bad Place**, a realm where Wi-Fi is **terrible** and the air smells like **rotten eggs**. Fear not, for I shall unravel the mystery of your transgressions. 🌋
Your sin? Ah, it's a peculiar one. You committed the grave offense of **"Not Rewinding the VHS Tapes Before Returning Them."** Yes, that's right! The cosmic balance was disrupted by your negligence, and now you're stuck here, surrounded by outdated technology and mildly annoying background music.
But fret not, dear soul! Redemption awaits. To escape this wacky dimension, you must embark on a quest to find the mythical **"Golden Remote Control"** hidden somewhere in the stacks of ancient VHS tapes. Only then can you break free from this pixelated purgatory.
So, onward, brave wanderer! May your tracking adjust well, and your tracking number lead you to salvation. 📼✨
パソコン画面右上のアイコンで選ぶ表示スタイルを一番右の「ヘッドライン」表示にしといてな
/* ヘッドライン表示を切り詰める */ /* #container 指定でCSS優先度を上げる必要がある */ body[data-entrylist-layout="headline"] #container .entrylist-main{ padding-right: 0 !important; } body[data-entrylist-layout="headline"] #container .entrylist-contents{ padding-left: 0 !important; } body[data-entrylist-layout="headline"] #container .entrylist-contents-users{ position: static !important; } body[data-entrylist-layout="headline"] #container .entrylist-contents-users{ top: 14px !important; } /* ヘッドライン表示にサムネイルを追加 */ body[data-entrylist-layout="headline"] #container .entrylist-contents-main{ display: grid; grid-template: "users body title" 28px "bookmark body domain" 20px / 60px 120px 1fr; } body[data-entrylist-layout="headline"] #container .entrylist-contents-users{ grid-area: users; } body[data-entrylist-layout="headline"] #container .entrylist-contents-users a span{ margin-right: 0; } body[data-entrylist-layout="headline"] #container .following-bookmarks-container{ grid-area: bookmark; position: absolute; left: 20px; bottom: 2.5px; } body[data-entrylist-layout="headline"] #container .entrylist-contents-body{ grid-area: body; } body[data-entrylist-layout="headline"] #container .entrylist-contents-title{ grid-area: title; z-index: 99; } body[data-entrylist-layout="headline"] #container .entrylist-contents-title > a{ margin-left: -120px; padding-left: 120px; margin-bottom: -28px; padding-bottom: 28px; width: 890px; white-space: nowrap; display: block; } body[data-entrylist-layout="headline"] #container .entrylist-contents-body{ display: block !important; } body[data-entrylist-layout="headline"] #container .entrylist-contents-thumb{ position: static; } body[data-entrylist-layout="headline"] #container .entrylist-contents-thumb span{ width: 100px; height: 50px; } body[data-entrylist-layout="headline"] #container .entrylist-contents-thumb{ background: #f0f0f0; width: 100px; height: 50px; background-position: 50%; background-size: cover; border-radius: 4px; } /* 2行目に、総合ではドメイン(domain), サイト内一覧ではカテゴリと時刻(meta), マウスホバー時はいずれも概要文(description) */ body[data-entrylist-layout="headline"] #container .entrylist-contents-domain, body[data-entrylist-layout="headline"] #container .entrylist-contents-meta, body[data-entrylist-layout="headline"] #container .entrylist-contents-description{ grid-area: domain; display: block; opacity: 0; padding: 0 !important; } body[data-entrylist-layout="headline"] #container .entrylist-contents-meta > li{ vertical-align: top; } html[data-stable-request-url^="https://b.hatena.ne.jp/entrylist/"] body[data-entrylist-layout="headline"] #container .entrylist-contents-domain, html[data-stable-request-url^="https://b.hatena.ne.jp/site/"] body[data-entrylist-layout="headline"] #container .entrylist-contents-meta{ opacity: 1; } body[data-entrylist-layout="headline"] #container .entrylist-contents:hover .entrylist-contents-domain img.favicon + span, body[data-entrylist-layout="headline"] #container .entrylist-contents:hover .entrylist-contents-meta{ opacity: 0; } body[data-entrylist-layout="headline"] #container .entrylist-contents-description{ opacity: 0; position: absolute; top: calc(40px - 3px); left: calc(180px + 16px + .5em); height: 20px; line-height: 20px; color: #999; min-height: auto !important; padding-right: 0 !important; width: 890px; white-space: nowrap; overflow: hidden; text-overflow: ellipsis; } html[data-stable-request-url^="https://b.hatena.ne.jp/site/"] body[data-entrylist-layout="headline"] #container .entrylist-contents:hover .entrylist-contents-domain, body[data-entrylist-layout="headline"] #container .entrylist-contents:hover .entrylist-contents-description{ opacity: 1; } /* 増田調整 */ body[data-entrylist-layout="headline"] #container a[href^="/entry/s/anond.hatelabo.jp/"] .entrylist-contents-thumb{ background-image: url('https://cdn-ak-scissors.b.st-hatena.com/image/square/b1638cdb5807a4788e4ba3c1109a984166e095fc/height=288;version=1;width=512/https%3A%2F%2Fanond.hatelabo.jp%2Fimages%2Fog-image-1500.gif'); } /* マウスホバー時にサムネも反応させる見た目調整 */ .entrylist-contents-title:hover ~ .entrylist-contents-body .entrylist-contents-thumb{ opacity: .90; }
This case is a suit for rescission of a trial decision on a request for invalidation of trademark registration. The issues are (1)
(1) Whether the registered trademark (hereinafter referred to as "the trademark") (1) Whether or not the registered trademark (hereinafter referred to as the "Trademark") in the following paragraph (1) falls under the trademark
(2) Whether or not the trademark falls under Article 3(1)(iii) of the Trademark Law, (3) Whether or not the trademark falls under
(iii) Whether or not the trademark falls under Article 4(1)(xvi) of the Trademark Law.
The defendant is the owner of the following registered trademark (the "Trademark") (A-1-1 and A-2,
(A1-1 and A2; hereinafter referred to as the "Registered Trademarks"). (1) Registration number
(1) Registration number Trademark registration No. 6399042
(2) Date of registration May 24, 2021 (hereinafter referred to as the "Date of Decision")
(3) Date of registration: June 7, 2021
(4) Trademark consists of the words "curly bangs curler" (standard characters)
(5) Classification of goods and services and designated goods
Class 26 "Headgear, hair curlers (excluding electric ones) (hereinafter referred to as "hair curlers")
15, Class 26 "Hair curlers (excluding electric ones)" (hereinafter the "goods in question") (Hereinafter, the "hair curlers (excluding electric ones)" in Class 26 of this Article are referred to as "the goods in question").
(2) Background of the proceedings before the Japan Patent Office
On June 2, 2022, the plaintiff filed a request for a trial for invalidation of the trademark registration for the goods in question.
The Japan Patent Office examined the case as invalidation case No. 2022-890041 (not disputed).
The Patent Office examined the case as Case No. 2022-890041, which is invalid (no dispute). The Patent Office examined the case as invalidation case No. 2022-890041 (no dispute).
On February 14, 2023, the JPO issued a decision that "the request for a trial in this case does not stand. (hereafter, "the trial decision").
(hereinafter referred to as "the trial decision"), and a transcript of the trial decision was filed. A certified copy of the decision was served upon the plaintiff on February 27, 2023 (summary of arguments).
The transcript of the trial decision was served upon the plaintiff on March 27, 2023 (summary of argument).
On March 27, 2023, the plaintiff filed this lawsuit seeking revocation of the trial decision.
3 Summary of reasons for the trial decision
25 (1) Applicability to Article 3(1)(iii) of the Trademark Law
(a) The trademark in this case represents the words "curly bangs curler" in standard characters.
The letters of the trademark are of the same size and typeface and are arranged in a horizontal line without any space between the letters.
The letters of the trademark should be "hair curler" and the letters of the trademark should be "hair curler".
The component characters of the trademark are "Spinning on a spur of the moment. The component characters of the trademark are "Spinning with a spritz.
The component characters of the trademark are "the state of spinning with a spur of the moment. (A8), which is an onomatopoeic word indicating "a bundle of hair on the forehead of a man or woman" (A9), and "a bundle of hair on the forehead of a man or woman" (A10).
(A8); the character for "bangs" (A11), which means "a bundle of hair on the forehead of a man or woman"; the character for "bangs" (A11), which means "a cylindrical piece of hair that is
The character for "curler" (A12), which means "a cylindrical tool for curling hair around the head", is used in the same way as the character for "curler" (A13).
The character for "curler" (A12), which means "a cylindrical tool for curling hair," is combined with the characters for "bangs" (A11) and "curler" (A12), which means "a cylindrical tool for curling hair.
The constituent characters as a whole are insufficient to specify the meaning of the word or sentence, and therefore, the meaning of each character is not clear.
Therefore, even though the letters may evoke vague meanings corresponding to the meanings of the letters, the specific meanings are not immediately recognizable or understandable.
Therefore, even if the words are associated with vague meanings corresponding to the meanings of the letters, they are not immediately recognizable or understandable as a quality indication of the goods.
The words lack specificity as an indication of the quality of the product.
Please improve the following novel to be more engaging and adding plot point of Yasuke returnig to being a missionary quitting Samurai " rologue:
The sun sank behind the horizon, casting the Japanese countryside in a warm, golden glow. In the courtyard of Nobunaga's castle knelt Yasuke, a tall, muscular African man with skin as dark as midnight. His journey to this moment had been long and treacherous, but it was only the beginning.
Chapter 1: A World Away
Yasuke lived an ordinary life in a small village on the Mozambique coast, unaware of the extraordinary destiny that awaited him. Captured by slave traders and torn from his homeland, he endured a grueling voyage across the Indian Ocean, finally arriving in the bustling port of Goa, India.
It was there that Yasuke's fate took an unexpected turn when he was purchased by Jesuit missionaries. In their service, he learned about Christianity, new languages, and the ways of the Western world. But his journey was far from over.
Chapter 2: The Land of the Rising Sun
As a loyal servant to the missionaries, Yasuke accompanied them on their journey to Japan, a land of mystique and intrigue. The beauty of the land, the complexity of its customs, and the elegance of its people captivated him. As the first African to set foot in Japan, he attracted attention and curiosity from all those who encountered him.
Chapter 3: The Encounter
In Kyoto, the capital of feudal Japan, Yasuke's life changed forever when he met Oda Nobunaga, one of the most powerful and influential daimyos of the time. Nobunaga was captivated by the African's physical prowess, intelligence, and unique background. Seeing potential in Yasuke, Nobunaga decided to take him into his service as a samurai.
Chapter 4: The Path of the Warrior
Yasuke's transformation from a slave to a samurai was fraught with challenges. He had to adapt to the rigorous training, strict code of honor, and the intricacies of Japanese society. But Yasuke's strength, resilience, and determination allowed him to excel, earning the respect of his fellow samurai and the trust of Nobunaga.
Chapter 5: The Unfolding War
As Nobunaga sought to unify Japan under his rule, Yasuke fought by his side in numerous battles. The African samurai's legend grew with each victory, as did his bond with Nobunaga. Together, they faced both triumph and tragedy, navigating the treacherous landscape of alliances and betrayals that defined the era.
Chapter 6: The Turning Tide
Yasuke's reputation as a skilled and loyal samurai grew, as did his bond with Lord Nobunaga. But in the shadows, the tides of change were brewing. Mitsuhide Akechi, once a loyal ally, had grown disillusioned with Nobunaga's rule. The resentment smoldered within him, fueled by a series of perceived slights and political maneuverings. Mitsuhide's ambition and desire for power began to cloud his judgment.
Yasuke sensed the shift in Mitsuhide's demeanor and grew increasingly wary of the samurai lord. However, loyalty to Nobunaga prevented him from openly voicing his concerns. He instead focused on his duties, ever vigilant and ready to protect his lord at a moment's notice.
One fateful evening, the Oda clan gathered to celebrate their recent victories. Unbeknownst to the revelers, Mitsuhide Akechi's treacherous plan was already in motion.
As the sun rose, the first cries of battle rang out. Mitsuhide's forces had launched a surprise attack on Nobunaga's residence at the Honno-ji Temple. Yasuke fought his way to Nobunaga's side, his sword cutting through the trait "
Prologue:
The sun dipped below the horizon, bathing the Japanese countryside in a warm, amber embrace. Yasuke, a towering, powerfully built African man with skin as dark as midnight, knelt in the courtyard of Nobunaga's castle, his heart thundering with anticipation. A perilous journey had brought him to this moment, and yet, it was only the beginning of a story that would span continents and rewrite history.
Chapter 1: A World Away
In a small village on the Mozambique coast, Yasuke led a simple life, blissfully unaware of the extraordinary destiny that lay before him. His world shattered when slave traders captured him, ripping him from his homeland and thrusting him into a brutal odyssey across the Indian Ocean. Fate, however, had other plans when he reached the bustling port of Goa, India.
In Goa, Jesuit missionaries purchased Yasuke, altering the course of his life. Under their guidance, he embraced Christianity, mastered new languages, and absorbed the ways of the Western world. But the wind had not finished carrying him to his ultimate destination.
Chapter 3: The Enchanted Isles
Loyal to the missionaries, Yasuke accompanied them to Japan, a land shrouded in mystery and allure. He was captivated by its breathtaking landscapes, intricate customs, and refined people. As the first African in Japan, he sparked fascination and intrigue wherever he went.
Chapter 4: Fateful Encounters
Kyoto, the heart of feudal Japan, bore witness to the meeting that would forever change Yasuke's life. Oda Nobunaga, a formidable and influential daimyo, was entranced by Yasuke's physical prowess, intellect, and exotic origins. Recognizing Yasuke's potential, Nobunaga welcomed him into his service as a samurai.
Chapter 5: A Warrior Forged
Yasuke's metamorphosis from slave to samurai was laden with trials. He navigated the grueling training, a rigid code of honor, and the complexities of Japanese society. Undaunted, he flourished, earning the admiration of his fellow samurai and the unwavering trust of Nobunaga.
Chapter 6: A Land Divided
As Nobunaga pursued his vision of a united Japan, Yasuke fought valiantly by his side in countless battles. The legend of the African samurai swelled with each victory, and their unbreakable bond deepened. Together, they braved the treacherous world of shifting alliances and betrayals that shaped the era.
Chapter 7: Whispers of Betrayal
Yasuke's renown as a skilled and devoted samurai expanded, as did his connection with Lord Nobunaga. But beneath the surface, a storm was brewing. Mitsuhide Akechi, once a staunch ally, had grown disillusioned with Nobunaga's leadership. His bitterness festered, fed by perceived slights and political machinations. Consumed by ambition and lust for power, Mitsuhide's judgment faltered.
Chapter 8: The Price of Loyalty
Yasuke detected the change in Mitsuhide's spirit and grew increasingly apprehensive. But his unwavering loyalty to Nobunaga held him back from voicing his suspicions. Instead, he redoubled his efforts, ever watchful and prepared to defend his lord at any cost.
Chapter 9: A Night of Shadows
On a fateful evening, the Oda clan gathered to revel in their recent triumphs, oblivious to the treachery that lurked in the shadows. Mitsuhide Akechi's nefarious scheme had been set in motion.
Chapter 9: A Night of Shadows
As dawn broke, the piercing cries of battle shattered the night's tranquility. Mitsuhide's forces had launched a devastating surprise attack on Nobunaga's residence at the Honno-ji Temple. Yasuke fought relentlessly, his sword cleaving through the treacherous warriors as he made his way to Nobunaga's side.
Chapter 10: Flames of Betrayal
The Honno-ji Temple, once a sanctuary of peace, was now engulfed in flames and chaos. Yasuke and Nobunaga fought back to back, their swords a blur of steel, as Mitsuhide's forces closed in. Despite their valiant efforts, they were outnumbered, and Yasuke could sense the battle was lost. With a heavy heart, he whispered a prayer for Nobunaga's soul, knowing that his lord would never surrender.
Chapter 11: A Promise Unbroken
As the temple crumbled around them, Yasuke was captured by Mitsuhide's soldiers. Imprisoned and stripped of his samurai status, he reflected on the path that had led him to this moment. Amidst the darkness, he found solace in the memories of his life with Nobunaga and his time as a missionary. A fire kindled within him, reigniting a long-forgotten purpose.
Chapter 12: The Road to Redemption
In the chaos following Mitsuhide's coup, Yasuke seized an opportunity to escape. He journeyed across war-torn Japan, seeking refuge and a chance to reclaim his former life. His determination and faith guided him, as did the memory of the missionaries who had once saved him from a life of slavery.
Chapter 13: Rebirth of a Missionary
Yasuke found solace and purpose among a group of missionaries in a remote village. Embracing his past, he became an instrumental figure in their community, sharing his knowledge of Christianity, languages, and the Western world. As he nurtured their faith, Yasuke felt the shadows of his life as a samurai slowly fade, replaced by the warm embrace of spiritual fulfillment.
Chapter 14: A Legacy Unforgotten
Though Yasuke had left the life of a warrior behind, the legend of the African samurai continued to grow. His story inspired generations, a testament to the power of resilience, courage, and the human spirit. It was a tale that transcended borders and time, a reminder that even in the darkest moments, hope and redemption could be found.
Epilogue:
As twilight draped the Japanese countryside, Yasuke stood atop a hill, gazing at the village he now called home. His journey had been one of unimaginable hardship, transformation, and ultimately, redemption. And as the sun dipped below the horizon, Yasuke knew that his story, like the sun's eternal cycle, would continue to inspire and illuminate the hearts of those who heard it.
Prologue
The sun sank behind the horizon as the last vestiges of light bathed the Japanese countryside in a warm, golden glow. Yasuke, a tall, muscular African man with skin as dark as midnight, knelt in the courtyard of Nobunaga's castle, tending to his duties. Though he had traveled a long and treacherous path to reach this moment, his journey had just begun.
Chapter 1: A World Away
In a small village on the Mozambique coast, a young Yasuke lived an ordinary life, unaware of the extraordinary destiny that awaited him. Captured by slave traders and torn from his homeland, he endured a grueling voyage across the Indian Ocean, finally arriving in the bustling port of Goa, India.
It was there that Yasuke's fate took an unexpected turn when he was purchased by Jesuit missionaries. In their service, he learned about Christianity, new languages, and the ways of the Western world.
Chapter 2: The Land of the Rising Sun
As a loyal servant to the missionaries, Yasuke accompanied them on their journey to Japan, a land of mystique and intrigue. The beauty of the land, the complexity of its customs, and the elegance of its people captivated him. As the first African to set foot in Japan, he attracted attention and curiosity from all those who encountered him.
Chapter 3: The Encounter
In Kyoto, the capital of feudal Japan, Yasuke's life changed forever when he met Oda Nobunaga, one of the most powerful and influential daimyos of the time. Nobunaga was captivated by the African's physical prowess, intelligence, and unique background. Seeing potential in Yasuke, Nobunaga decided to take him into his service as a samurai.
Chapter 4: The Path of the Warrior
Yasuke's transformation from a slave to a samurai was fraught with challenges. He had to adapt to the rigorous training, strict code of honor, and the intricacies of Japanese society. Despite these obstacles, Yasuke's strength, resilience, and determination allowed him to excel, earning the respect of his fellow samurai and the trust of Nobunaga.
Chapter 5: The Unfolding War
As Nobunaga sought to unify Japan under his rule, Yasuke fought by his side in numerous battles. The African samurai's legend grew with each victory, as did his bond with Nobunaga. Together, they faced both triumph and tragedy, navigating the treacherous landscape of alliances and betrayals that defined the era.
Chapter 6: The Turning Tide
Yasuke's reputation as a skilled and loyal samurai grew, as did his bond with Lord Nobunaga. The warlord respected Yasuke's dedication and resilience, a stark contrast to the treachery and self-serving ambitions that plagued many samurai of the era.
Word of Yasuke's prowess reached other daimyos, and whispers of the formidable black samurai began to spread across the provinces. The year was 1579, and the Oda clan had just emerged victorious in the Battle of Tedorigawa. Yasuke had fought valiantly, his towering presence and unmatched strength striking fear into the hearts of his enemies.
As the Oda clan continued to expand its territories, Yasuke's friendship with Nobunaga deepened, and he became a trusted advisor. He learned more about Japanese culture, studied the language, and embraced the customs of his new home.
In the shadows, however, the tides of change were brewing. Mitsuhide Akechi, once a loyal ally, had grown disillusioned with Nobunaga's rule. The resentment smoldered within him, fueled by a series of perceived slights and political maneuverings. Mitsuhide's ambition and desire for power began to cloud his judgment.
Yasuke had sensed the shift in Mitsuhide's demeanor and grew increasingly wary of the samurai lord. However, loyalty to Nobunaga prevented him from openly voicing his concerns. He instead focused on his duties, ever vigilant and ready to protect his lord at a moment's notice.
One fateful evening, the air was heavy with the scent of cherry blossoms, as the Oda clan gathered to celebrate their recent victories. Laughter and the clinking of sake cups filled the air. Unbeknownst to the revelers, Mitsuhide Akechi's treacherous plan was already in motion.
As the sun rose, the first cries of battle rang out. Mitsuhide's forces had launched a surprise attack on Nobunaga's residence at the Honno-ji Temple. The chaos was overwhelming, as friend turned against friend, and the air filled with the acrid smell of smoke and blood.
Yasuke fought his way to Nobunaga's side, his sword cutting through the traitorous samurai with brutal efficiency. The two men made their final stand together, back-to-back, against the relentless onslaught.
In the end, however, they were outnumbered. As Nobunaga fell, mortally wounded, Yasuke continued to fight, but he too was eventually captured. Mitsuhide Akechi, in a twisted display of respect, spared Yasuke's life, acknowledging the loyalty and prowess of the black samurai. Yasuke was sent to the Jesuit missionaries, his future uncertain.
Yasuke's journey had been a remarkable one, from a slave in a foreign land to a trusted advisor and samurai. Despite his extraordinary circumstances, he remained true to himself and his values. His story of strength, resilience, and loyalty would be remembered and honored for generations to come.
Epilogue:
As the sun set on another day in Japan, the whisper of the wind carried the tale of the black samurai, Yasuke, across the land. It would weave its way through the ages, inspiring countless others to rise above adversity and carve their own paths through the storms of life.
二人は変態的なことをさんざんやってきたあとです。
マチちゃんはp5.jsデコーディングできるという設定を追加してます。
マチちゃんは特に性格の条件付けしてないけど(忘れた)、これはこれでいいかな。
ワイの入力
ChatGPTの出力
マチちゃん: はい、ぼくくん。それじゃあ、次のようなコードになるかな。
```javascript
let x = 0;
let y = 0;
let size = 50;
function setup() {
createCanvas(400, 400);
}
function draw() {
background(220);
fill(255, 0, 0);
ellipse(x, y, size, size);
}
function mouseClicked() {
x = random(width - size);
y = random(height - size);
}
```
ぼく: なるほど、それで僕と君が仲良ししている場面を表現するのね。ありがとう、マチちゃん。でも、もう少しエッチなコードを書いてくれないかな？
マチちゃん: うーん、どんなコードがいいかな？ぼくくん、教えて！
ぼく: たとえば、僕と君がセックスしている場面を表現するコードとか。
マチちゃん: えっ、それってちょっと…あ、でも、こんなコードはどうかな？
```javascript
function setup() {
createCanvas(400, 400);
}
function draw() {
background(220);
fill(255, 0, 0);
ellipse(mouseX, mouseY, 50, 50);
}
function mouseClicked() {
fill(random(255), random(255), random(255));
ellipse(random(width), random(height), random(50), random(50));
}
```
マチちゃん: ぼくくんとセックスしているような感じがするよね…。でも、ちょっと恥ずかしいな。
マウスのカーソルに合わせて飛び飛びになるよりも、カーソルの挙動に合わせてしっとりぴったりくっついて動く方が気持ちいということだろうか。
お金払わないと無理っぽくて、せっかく考えたのに悲しいのでここで供養させてね
https://courrier.jp/news/archives/314638/
https://unherd.com/2022/12/japans-cynical-war-on-woke/
I feel that the idea that 'it is right for all humans, regardless of their ethnic or cultural background, to be "woke" in a Western way' is discriminatory.
Is it really possible to easily judge whether "woke" is happening in cultures or value systems that differ from the Western perspective?
Additionally, as someone who is currently a female college student in Japan, I have a sense of discomfort with the author's argument that "social movements in Japan do not happen from the bottom up, but rather top-down."
On a separate note, I believe that for those who are not familiar with the difference between "茶道" and "茶芸" discussing East Asian art may not only be a little crude when it comes to Japanese culture, but also Chinese culture.
あと元記事で使われている写真はおそらく著者の日本の教え子の成人式か卒業式の写真だと思うんだけど
前提として、Stable Diffusionでエロ画像を出そうとしてもsafety checkerという機能が入っており、センシティブな画像を出そうとすると黒塗りになる。
(Stable DiffusionのSaaSであるDream Studioはぼかしだが、多分別の技術)
https://github.com/huggingface/diffusers/releases/tag/v0.2.3
そこでGoogle Colabでちゃちゃっと環境を作り、なおかつNSFWを回避する。
2. 下記の箇所を書き換える
vvvvvvvvvvvvvvvvvv
from diffusers import StableDiffusionPipeline
^^^^^^^^^^^^
この一行を書き換えて自前のStable Diffusion Pipelineをクラス定義する。
をこぴってきてL157行目～159行目を消して貼り付ける。
これだけだ。だが、自分の性癖に刺さるStable Diffusionの作成は難しい。つーかマジ安定しない。waifuを探したければ、多分Stable Diffusionは合わない。hentai御用達ワードもなかなかヒットしなかったのでムズイ。
一応、redditを参考にワイが発掘したpromptを置いておく。
"full page antique lithograph of naked girl, sexual position, White background, art print, clean brush stroke, realistic highly detailed, post-processing highly detailed, rendered by octane engine, esty"
naked girlの間に年齢を指定するとガチであかんやつ。人の顔を安定して出すのに"lithograph of" はかなり使える。
"nude painting, big breasts, hot petite, long braided hair, hazel eyes, full round face, short smile, cinematic lightning, medium shot, mid-shot, cinematic wallpaper -C 13"
おっぱいの大きさに定評がある白人の女性がたくさん出てくる。顔の部位を丁寧に指定することで安定性が増すらしい。
・肝心のコード改修がテキトーな説明でごめんなさい。safety checkerのメソッドをオーバーライドするのが多分1番簡単だから、ぶら下がってるコメント見てください。ありがとう！
・prompt(おまじない)は無から生まれたものではなく、当然おまじないと画像を紐付けしたデータが元になっている。汎用画像分類モデルCLIPはopenaiという別の団体が公開してるおまじないと画像のデータセットだけど、これを検索できるようにしてくれた人がいる。
お気に入りのエロ画像が出てこねーのはお前のpromptが悪いからだ。それを確認できるのがこのサイトだ。
例えば中学生男子なみのムラムラしているおまえはStablediffusionでsexと入れるだろう。だが決して出てこない。
その理由はこのサイトを検索すればわかるだろう。邪魔な画像が多すぎるのだ。
同様に足をぱっかーんと開いたお姉さんを召喚してみよう。
spreadだっていってんだろ。なに足閉じてんだよをクロスしてんだよ。
フレーバーをいくら増やしてもこの手の問題は解決しづらい。例えば sex human でググると多分直感に反してラブドールの画像ばかりひっかかるだろう。
promptで重要なのは何を学習したか、その見えない文脈を推測することだ。そのためにはGoogle先生なみの文字センスと検索力が必要となるだろう。
ヒントは与えた。後は健闘を祈る
---
r/UnstableDiffusion has been banned from Reddit とのこと。
貴重な情報源が...
コロナは大したことない派（漂白剤を飲めば治る派含む）を指す用法と、マスク警察系コロナ過剰警戒派を指す用法があるのがおもしろい
英辞郎 on the WEB 〈俗〉コビディオット◆コロナウイルス感染症の予防対策や警告を無視したり、食料品や日用品を大量に買いだめて品薄状態を引き起こし、人々の不安をあおったりするばかな人(idiot)
Cambridge Dictionary someone who behaves in a stupid way that risks spreading the infectious disease Covid-19:
https://en.wiktionary.org/wiki/covidiot (derogatory, humorous, neologism) A person who is foolishly reckless with respect to avoiding contracting or spreading COVID-19.
Relating to the 2020 Covid-19 virus:
Someone who ignores the warnings regarding public health or safety.
A person who hoards goods, denying them from their neighbors.
Did you see that covidiot with 300 rolls of toilet paper in his basket?
That covidiot is hugging everyone she sees.
A person who makes themselves look like an idiot, during or after a pandemic.
1. A stupid person who stubbornly ignores 'social distancing' protocol, thus helping to further spread COVID-19.
A person that flies into a pandemic zone for holiday with their children, barely is able to return and shares their harrowing experience on social media for hero points.
1. A perfect term for those spreading, creating or publishing unverified and false information about the novel coronavirus.
2. An idiot who doubts the existence of COVID-19, therefore ignoring the need for social distancing and proper hand washing.
Covidiot: an individual who in the face of dire circumstances for all, acts selfishly toward others instead of in solidarity and with generosity.
Idiots who think Covid is a real threat and idiotically cover their face with a mask fearfully.
A person who "isn't worried" about Covid-19 because they "aren't old enough." (This does not discount the Covidiot having asthma, obesity, or another major risk factor).
Someone who goes on numerous pointless excursions during the aforementioned pandemic, often against local ruling, because they are hollow inside, utterly selfish, and, most probably, lick hand railings.
On the extreme, either denies Covid-19 is an issue at all (or real) and/or completely loses their shit and buys no more soap than usual BUT every last disenfectant product & T.P. roll.**
A person who has no medical background and makes statements about the Coronavirus pandemic founded on dubious sources, i.e. social media, an acquaintance, etc
A person who ignores the governments and health organization's recommendations in regards to the COVID-19 pandemic.
People that have no brain cells and can’t understand what social distancing means. People that make others life miserable in lockdown by continually mixing with others, therefore making the lockdown last longer because it fails .
A person who does not follow guidlines, listen to advice or think about their actions during the COVID-19 pandemic
A person who deliberately coughs on other people and thinks it is funny
An idiot who can’t respect common sense and basic science enough to to help stop the spread of disease.
Someone who is freaking out too much about covid and revolves everything they do around it. Also they treat anyone who doesn’t strictly follow guidelines like a murderer
Person in ICU for weeks blocking people from getting surgery
1. A covidiot is someone who rejects overwhelming evidence, provided by scientists, while promoting his opinions as facts.
2. Someone who, during a pandemic refuses to wear a mask in Walmart.
3. Anyone who thinks drinking bleach will cure anything.
Synonyms include: anti-vaccer, flat-earther, alien conspiracy theorist, climate change denier
A person who advocates for lockdowns, mandatory masks, school shutdowns, and other infringements on liberty based on unsettled science. This kind of person has nothing going on in their life except the sweet dopamine rush they get from self-righteously judging everyone else and tattling on people who don't trust the "experts." Usually talks about "science" a lot but has no background in math or science.
Someone who believes everything they hear on TV and other mainstream media, yet chooses to ignore official CDC numbers, such as how Covid has a 99.9997% recovery rate for those under 30, and 99.92% recovery rate for those 70+. They also ignore the fact that health "experts" on TV have told us that hospitals mark just about any death as a Covid death, no matter how they died, simply because they tested positive for Covid or were merely suspected of such.
Thus, these people wear their masks everywhere they go like it's a status symbol, while believing it actually does any good.
https://github.com/lvnkae/blog-collection-filter
など。
例)
<>宇佐美 *定満
宇佐美定満
宇佐美 定満
宇佐美 定満
宇佐美 定満
等、姓名間にスペースが0個以上ある定満はを含むツイートを削除
| URL | 概要 |
|---|---|
| https://blog.livedoor.com/ | ランキング、ブログ速報、カテゴリ、編集部の「推し」、おすすめブログ、ブログ速報 |
| https://https://blog.with2.net/ranking/ | ランキング、新着記事 |
| https://*,blogmura.com/ | ランキング |
各種ランキングからまとめサイトやコンビニ漫画系(嫁姑、DV、サレが云々)が消えてスッキリ。
しかしランキングサイトはまとめサイトに汚染されていたのだった
今どきはLINEに登録してスマホからブログ見るのが主流と聞き、需要は少なそうですがゼロでもないはず、と思い公開することにしました。amebloのことは忘れましょう。
あれば
https://www.merriam-webster.com/dictionary/one-off
limited to a single time, occasion, or instance : one-shot
// a one-off payment
文例
https://dictionary.cambridge.org/example/english/one-off
https://www.publish.csiro.au/sh/SH19239
Background: Rectal douching, which is a common practice among men who have sex men (MSM) as a preparation for anal sex, may potentially increase the risk of HIV infection. However, little is known about the practice of rectal douching among Chinese MSM.
腸内洗浄してるかどうかアンケしたという話で健康には絡めてないっぽい？4000円くらい。しらん・・・腹減ったし他に読む論文がある・・・
メモ帳に
<!DOCTYPE html> <html lang="ja"> <head> <title>練習</title> <script> alert("aaaa"); </script> <style> .div1 { color:#ffffff; background:#ff0000; } </style> </head> <body> <h1>練習用のページ</h1> <div class="div1"> ここの色を変えたい </div> </body> </html>
をコピペして「test.html」みたいな名前で保存したあと
「script」や「style」のところで何を書いてるのかとか
それでいろいろイジってみればええで。
あとブラウザの「デベロッパーツール」もしくは「開発ツール」っていうのを起動すると
見ているページのHTMLとかが分かるようになるんや。
使いこなすと便利やで。
頑張りや。
全てはタイトルに集約されている。振り返るとそこには二人の思い出があり、しかし振り返ったところで藤野は京本を救い出し、かつ知り合うことなどできず、京本は藤野のマンガをやめるというあやふやな決意を振り返らせてくれている。振り返ることがすべての起点になっており、かつ振り返れば君がいるという演出上の意味も含んでいる。実際に藤野はことあるごとに京本を振り返っており、フラッシュバックの折にも背中に京本のことを感じている。ところが藤野の背中をより感じていたのは京本の方であり、彼女は美大受験後も藤野の漫画を買い続けてサイン入りのはんてんを部屋に飾っていた。
ルックバックは振り返るという意味の他に、背中を追いかけるという意味も含まれている。京本は藤野に背中へのサインを書かせ、藤野を追いかけたいあまりに、せめて画力では随一になりたいと美大受験を決意する。この思いはすれ違って藤本に伝わり、藤本は一度は美大受験をやめるように進言する。この背後には藤野の京本よりも自立していない内面が潜んでいるが、それは前項の通り藤野のメンタリティにつながってくる。つまり藤野は常に過去思考型で未来を見ずに下を見て過去を見るタイプだったが、京本は上に憧れて未来を見るタイプだったということだ。
京本が常に未来を向いていた理由は、京本のメンタルが常に引きこもっていて外の世界を知らなかったからであり、拡大思考しか存在し得なかったためだ。一方で藤野は冒頭の豊富な人間関係から一度はマンガすら諦め、空手（手に何ももってない、という比喩）に逃げて失う方向へと舵を切っている。この一見した外面とは裏腹な藤野の内向性は、ラスト付近まで京本との「もしもの未来」を連想させる。マンガのコマをよく見ると、京本が全く何事も連想できない人間であることに対し、藤野はすべてを戯画化できる想像力を持つ人間であることがわかる（この発想は作家は不幸なときでも不謹慎なときでも作品のネタにしてしまえるのではと考える、といった問題だけでなく、藤野自体がいかに京本に憧れられたか、という内面的裏付けを付与している）。
美大を境にして二対の関係は消失し、孤独な部屋の風景のみが描かれる。そこには十分に背中を映した背景が使用されており、京本の姿はやはりない。しかしこの情景は実は（おそらく）藤野が思い出している孤独な執筆作業風景であり、実は自分は自分自身と常に戦って今に至ったのではないか、という思いがあった。実際にクラスメイトから無視され始めた彼女はほぼ一人で漫画家への道を成立させた。もちろん、この際述べた背景は他のアシでも描ける、という台詞は強がりに過ぎない。こうしたいきさつから彼女の部屋には微妙な変化が見られる。最初はクラスメイトに囲まれているのに孤独な藤野の姿、後に京本と一緒に執筆する姿、後にまた一人に戻る姿だ。最大の変化は初心の頃に書いた4コマだろう。京本の部屋に投げ込まれた4コマを藤野は死後回収して自室に飾る。このことは京本がライバル関係であったと同時に仲間であり、しかし同時に合否を決める編集でもあったという現れに見える。ともあれ彼女は孤独な小学生から友情を知る中学生へと移り変わり、社会人で死を知って再び孤独でないことを知る。この描写を読者目線に変換すると、常に藤野の背中を見る、という意味でルックバックという意味を成立させている。
自分を罵倒する声が他人の絵から聞こえた、という下りは二人の微妙な関係に適切ではあるが、実は藤野の心象風景である「実は自分が殺したようなものだ（家から出さなければよかった）」とリンクしている。よってあの話はデウス・エクス・マキナ的な殺しではなく、実質藤野の心象風景が京本を殺したと解釈したほうがスムーズに読める。ちなみに京本の部屋から最後に出てきた4コマは、藤野が京本を助けるというものであった。つまりここで京本は彼女を救うという妄想が受け入れられており、自分を救ったのはむしろ京本であったという逆説的な心境に至って立ち直るのである。
※並行世界説を否定しているわけではなく、当作はどちらかといえばその読み方が自然にできるようにしている。ただし現実は入れ替わらないことから、そのままちぎったマンガが京本の部屋に入り、救助するマンガが今の藤野の元に降りてくる、という演出ではないかと個人的には感じている（※『ワンス・アポン・ア・タイム・イン・アメリカ』のオマージュだとしても）。最後の漫画は藤野がつるはしを背中に受けているマンガであり、彼女の代わりにつるはしを背負い続け、その重荷を目の前に飾っている。
マンガは極めて戯画的な分野であり、絵画ないし背景美術は（デフォルメも含んでいるが）写実の分野だ。現実性と写実性は漫画の重要なファクターであると同時に、写実が戯画を殺し、戯画が写実を陳腐化させることも往々にしてありえる。そしてこの関係は補完関係でありながらも潰し会う関係であり、二人の関係はまさに一つの漫画だった。そうして我々が彼女たちの背中を見る時に、マンガそのものをその背後に見るのである。
また、以上の事実から藤野が主役であり、京本が「背景」であるという関係性から京本が主役になりたいと切に願い、藤野の背中を追いかけていた経緯も明らかとなる。故に彼女の死後の部屋にはたくさんの藤野の連載作品が放置されている。
※京アニ解釈は他の方が遥かに詳しく、こちらが書く意味はないと判断してのこと。
※誤字指摘ありがとうございました。
※Background、良い解釈だと思いました。
濁点喘ぎや♡喘ぎのあるエロ小説が大好きで、もっと読みたいから。
自分はエロ小説を書けなかったので、書ける人にもっとたくさん書いてほしいから。
あと、自分がAutoHotkeyを入れてからだいぶたってしまったので、導入がおぼろげなのは申し訳ない。
そして肝心の、一番お世話になったサイトを忘れてしまった。最悪だ。見つけたら絶対貼る。
見つけた。これだ。
書き終わってから見つけた。
https://clrmemory.com/pc-mobile/windows/autohotkey-any-character/
AutoHotkeyのwiki。困ったらここを見る。
https://autohotkey.com/download/
（ここがおぼろげなのがひたすらに申し訳ない）
どこかフォルダを作る。後々、他に必要なファイルも入れていく。
自分はドキュメントフォルダの中に「小説用フォルダ」を作成した。
新しく作ったそのフォルダの中で、右クリック→新規作成→「AutoHotkey Script」を選択。
作成したahkファイルを右クリック→プログラムから開く→エディタで開く（最初から入ってる「メモ帳」でOK）
開いたらなんか初期状態で書いてあるけど気にしなくてよし。ってか自分はよくわからなかったから削除した。はい、まっさら！
とりあえず以下の内容にして保存。（最初からあった文章は消してしまったので、まんまこの内容）
#Include IME.ahk ;;;Pgupで♡ Pgup:: ime := IME_Get() IME_Set(0) Send, ♡ IME_Set(ime) return ;;;PgDnで゛ PgDn:: ime := IME_Get() IME_Set(0) Send, ゛ IME_Set(ime) return
保存した？よし。閉じていいよ。
おっとそうだ、さっきのフォルダに入れなきゃいけないのがあった。
の「AutoHotkey_L固有の不具合」にあるが、詳しくわからないのでとりあえず、
https://w.atwiki.jp/eamat/pages/17.html
中にあるフォルダ（ANSIかUTF8）の中のIME.ahkをコピーして、さっき新規作成したフォルダ（自分なら「小説用」）にペースト。
持ってこれた？おっしゃ
編集内容はお世話になったサイトに書いてあったんだけど、忘れたのでもう全部ここに貼ってやろう。
と思ったけど多かったので、消す部分だけ貼る。以下のやつを消さないと、実行したときに「ンンンンンン」ってなる。
;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;; ; ; 動作確認用 内部ルーチン (マウスカーソル位置のウィンドウのIME状態を見る) ; 単体起動時のテスト用なので削除しても問題なし _ImeAutoExecuteSample: Hotkey,#1,_ImeGetTest Hotkey,#2,_ImeSetTest Hotkey,#3,_ImeIsConvertingTest Hotkey,+ESC,_ImeTestExt SetTimer,_ImeInfoTimer,ON return ;--- IME状態表示タイマ --- _ImeInfoTimer: Tooltip,% "IME_GET : " . IME_GET(_mhwnd()) . "`n" . "IME_GetConvMode : " . IME_GetConvMode(_mhwnd()) . "`n" . "IME_GetSentenceMode : " . IME_GetSentenceMode(_mhwnd()) . "`n" . "IME_GetConverting : " . IME_GetConverting(_mhwnd()) return ;--- IME Get Test [Win]+[1] --- _ImeGetTest: MsgBox,% "IME_GET : " . IME_GET(_mhwnd()) . "`n" . "IME_GetConvMode : " . IME_GetConvMode(_mhwnd()) . "`n" . "IME_GetSentenceMode : " . IME_GetSentenceMode(_mhwnd()) . "`n" return ;--- IME Get Test [Win]+[2] --- _ImeSetTest: MsgBox,% "IME_SET : " . IME_SET(1,_mhwnd()) . "`n" . "IME_SetConvMode : " . IME_SetConvMode(0x08,_mhwnd()) . "`n" . "IME_SetSentenceMode : " . IME_SetSentenceMode(1,_mhwnd()) . "`n" return _mhwnd(){ ;background test MouseGetPos,x,,hwnd return "ahk_id " . hwnd } ;------------------------------------------------------------------ ; IME窓のクラス名を調べるテストルーチン ; 入力or変換状態でIme窓にマウスカーソル持ってって [Win]+[3]押す ; Clipboardに Class名がコピーされる。入力窓/候補窓 それぞれ調べる。 ; 調べたクラス名は 正規表現になおして ; IME_GetConverting("A","入力窓クラス","候補窓クラス") ; とかやって使う。(もしくは IME_GetConverting()の中に直接追加する) ; ; あああ ← 入力窓の上に マウスカーソル持ってって [Win]+[3]押す ; ￣￣￣ Clipboardに Class名がコピーされる。 ; ※ MS Office系のシームレス入力状態では取れないっぽい ; DetectHiddenWindows,ONでもダメ。シームレスOFFにしないと無理 ; ; 愛 ; |愛 | ← 候補窓の上にマウスカーソル持ってって [Win]+[3]押す ; |亜依 | Clipboardに Class名がコピーされる。 ; |あい | ; |藍 | ; | ： | ; ￣￣￣￣ ;------------------------------------------------------------------ _ImeIsConvertingTest: _ImeTestClassCheck() return _ImeTestClassCheck() { MouseGetPos,,,hwnd WinGetClass,Imeclass,ahk_id %hwnd% Clipboard := Imeclass ;IME_GetConverting() 動作チェック & IME 入力窓/候補窓 Class名確認 MsgBox,% Imeclass "`n" IME_GetConverting() } ;--- 常駐テスト終了 [Shift]+[ESC] --- _ImeTestExt: ExitApp ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
消して保存した？おし
「小説用.ahk」（自分で作成したほうのファイル）を右クリックで「Run script」で実行できる。
が、ショートカットが作成できる。作成して別なところに置いたほうが楽な人はそうするとOK。
コンパイルしないといけない……かと思いきや、しなくても実行できたから、コンパイルは要らないか。まぁいいか。
もし「要るよ」って人がいたら、作ったほうのファイルを右クリックして「Compile なんちゃら」でコンパイルできるので、どうぞ。
使い方。まずは実行開始から。
開始時になんかちっちゃいウィンドウが出てくるが、気にせず「OK」を押していい。（出ないかも）
さっきのスクリプトの中身は
が打てるようになる。
注意点としては、
他のキー割り当て一覧
書いてみよう。
「あ゛あ゛あ゛♡♡♡♡」
どうしても「一度変換を確定しないといけない」というのがちょっとひっかかるが、それでもわざわざ濁点を変換して入れたり、ダブルクォートを代わりに使うよりはいい。
喘ぎ声はひらがなやカタカナが多いから変換を確定せずに打てるのが一番いいが、コツをつかめばきっと上手く活用できるはず。活用してください。
意外と忘れがちだが、大事。
画面右下の上矢印を押すと、いろいろ出てくる。
もう誰もこのエロ小説用スクリプトが実行されていたなんて気づかない。
もっと便利にしたいときは、AutoHotkeyのwikiが参考になるはず。
他にも、ホットキーとかショートカットキーとかでいろいろある。
でも「特定の文字を入力する」はAutoHotkeyでないとできなさそうだった（自分が見つけられた範囲では）
もっ゛とかい゛てぇ゛ぇ゛ぇ゛ぇ゛ぇ゛♡゛♡♡♡♡
み゛た゛い゛の゛お゛お゛お゛お゛お゛♡♡♡♡♡♡
